Wednesday, October 31, 2018
Apple to the Core - Book review
The book, Apple to the Core by Peter McCabe and Robert Shonfield was written in September of 1971 and published in 1972. It has long been considered one of the core (no pun intended) books that all Beatle fans must read.
Does it still hold up in 2018? Why was it so well received when it was originally published?
The book is the story of the Beatles break up. It goes into the background of Brian Epstein and NEMS and then after his death and the legal issues Apple had and continued to have after the announcement that the Beatles would no longer be working together. It is about 200 pages long (with tiny print) and is a very good overview of the ins and outs of the legal problems and issues that happened in and out of court as the Beatles' partnership was dissolving. Many other books have been written on this topic since 1972 that may go into more detail and might even be more accurate; however, this is a great book for those of you who want to start digging into this confusing topic.
In 1972, this book was everything to Beatle fans. It gave a lot of tidbits of information that they would not have known, and it was well-written. Today it is a time-capsule piece. Written while the breakup was going on, it tells the story as a modern happening and not as something from the past. The authors must have been present in the courtroom during the various proceedings because they quote the lawyers word-for-word. I found a lot of legal terms and things to be confusing, but it isn't impossible to understand.
There are also a lot of interviews with players in the story that are no longer with us: Allen Klein, Nat Weiss, Derek Taylor, Neil Aspinall, and Lee Eastman are all quoted. You will not find these interviews in any other book. The quotes from Neil were especially interesting, as he typically did not give interviews.
I especially found the story of Ringo going to Paul's house and asking that the McCartney album release date be moved so as not to interfere with the Let It Be album release. The story that has been going around for years is that Paul broke some expensive artwork (I have even heard it was one of Stu's paintings) in anger (over Ringo's head???). Well -- there was NO mention of artwork being broken in the story that was told shortly after it happened. Paul was angry, and Ringo called him a spoiled child, but nothing remotely violent happened between them.
This book has been out of print for a long time, but it is one that is easy to find at second-hand shops, Beatles conventions, and libraries. It is well worth having on your Beatles bookshelf if you don't have it already.
Halloween in Japan
Labels:
2018,
flag,
Freshen up,
Halloween,
Paul McCartney
The Wizard hat from Halloween
I never noticed it before, but doesn't this wizard hat from MMT look like John just found a witches hat that someone used the previous Halloween?
Tuesday, October 30, 2018
Caught in the Act - Review of Paul 1975 London concert
Caught in the Act
By Moira Warren
The McCartney Observer
Spring 1978 issue
It was the 18th of September, 1975 when I saw Paul after an interval of ten long years. I hadn’t seen Paul since December 1965 at the Glasgow concerts of the last Beatles British tour. I was going out of my mind on the day of the 2nd Wings concert at the Hammersmith Odeon London.
The show was a Thursday, and I’d only got the ticket on the Tuesday before. The long story attached to that would make an article on its own, so briefly, tickets were sold out when I applied, so I managed to buy one ticket with only hours to go to Thursday’s concert. The boy who sold me it couldn’t go himself for some reason but looking back he probably agreed to sell it to get rid of me. My neurotic phone call, begging and pleading for the ticket, must have sounded like the ravings of a lunatic. Anyway, I got it, and at the time I didn’t care that it was all the way up in the balcony. I had a ticket, and I’d see Paul after all these years, that’s all that mattered.
My husband, Glenn, was driving me up to London and we left about 6pm. The show was to start at 8pm, and despite the fact, Glenn wasn’t familiar with that part of London we thought two hours would be ample time to get me there. Not so. We got lost, and after we’d gone over one particular flyover about three times, we decided to stop and ask directions. I was a bundle of nerves by this time as it was about ten minutes to eight.
It turned out we weren’t far from our destination, but by the time Glenn had parked the can, and we’d ran there I’m sure it must have been a few minutes after eight. Anyway, the foyer was practically deserted, so after hastily telling Glenn where I’d meet him later and he said something about being sorry we were late. I dashed right in. I showed my ticket and raced up those stairs about three at a time. I don’t know whether Paul was late or what but the show hadn’t started yet. No sooner had I breathlessly fought my way to my seat and flopped down than the curtain slowly rose to the intro of “Venus and Mars.” The tension of the last few hectic hours got me then and overwhelmed at the sight of Paul after all those years tears came to my eyes. I don’t know why but just then I had a horrible feeling of “Where’s my purse?” I’ve carried Paul’s autograph about since 1963 so for that reason I consciously hold on to it more than if it contained mere money. I realized I didn’t have it, and after looking around, with the help of the person next to me, we still couldn’t find it. So I accepted that it was lost. But I wasn’t going to let even that spoil the show.
Even from where I sat Paul looked good. He had on the black pants with a red shirt and black jacket with white lapels and belt. It looked to me like a Kung Fu outfit plus T-shirt but anyway it suited him. I’d been wondering how much Paul had changed, but when he launched into “Rock Show” with that same shake of the hips, I forgot all that. This was the Paul I remembered. Only the style of clothes had changed and of course, gone was the famous Hofner bass. Apart from these differences, Paul was still very much Paul!
The anticipation during that show was not knowing what he was going to sing next. It all took my breath away, and I loved the live rendition much more than the album version. With old thoughts of Beatle concerts inevitably still in my head, I wasn’t quite sure how this audience would react to Paul actually speaking. I was surprised when everybody listened to Paul saying, “How you doing? Welcome to the Hammersmith-Odeon.” Then he cued Denny for “Spirits of Ancient Egypt” before realizing that he’d forgotten “Let me Roll It.” Denny said something like “You’ve forgotten the running order” which Paul thought was very funny then he sang the correct song. For some reason that was the only time that evening that I noticed Joe but Paul, swaying about in front of Joe’s drums could perhaps explain that. Paul got the introduction right this time, and Denny took the lead for “Spirits of Ancient Egypt.”
The running order for the 1975 British tour was different in places from the U.S. and Wembley album so at this point, with Paul at the piano, Jimmy introduced a “rocker,” “Little Woman Love.” Halfway through this transitioned beautifully into “C Moon” then back again. The song didn’t start to Paul’s satisfaction though so after breaking up the song after a few seconds with “Woa, woa, woa. I’m not having it!” All went smoothly at the second attempt. I still don’t know to this day who was in the wrong, but from Paul’s attitude, it obviously wasn’t him.
The backdrop for this part of the show was a copy of a lovely painting of a candle with a moon on the top where the flame should be. Just before “Maybe I’m Amazed” a boy kept shouting “Lady Madonna!” over and over, and Paul growled sweetly and said, “Don’t confuse me, lad.” I could have hugged him. He was so cute! “Lady Madonna” did follow “Maybe I’m Amazed” and that really got the audience with him. I’m sure Paul sensed the difference too because he commented “Now we’ve got you up we’ll put you down a bit” before he went into “The Long and Winding Road.” It was so perfect I shed a few more tears. Linda introduced “Live and Let Die” but not before she’d announced it as “Dr. No” to Paul’s insistence “No it isn’t!”
I suppose one of the good things about seeing the show from the balcony was that the lighting and effects looked really good from that distance.
The acoustic section was the same as the U.S. part of the tour, and I have to admit I hadn’t heard “Richard Corey” before that night. “I’ve Just Seen a Face” surprised me. Paul said, “This one is skiffly” to introduce it, and he was stomping so hard on the stage throughout I thought for sure his foot would go through the floor! I’d never have guessed he’d include that song in the show but in my opinion, he’s a genius for doing so. “Blackbird” and “Yesterday” were undoubtedly one of the highlights of the night, and I can’t really say anything original about those, it’s all been said before. Paul dedicated “You Gave me the Answer” to Jack Buchanon and when he said, “Anyone remember Jack?” got the response, “What about John Lennon?” (Paul’s answer was ‘what about him?’) By a strange coincidence, I’ve since got to know the girl who shouted that comment, although I didn’t at the time. “Magneto and Titanium Man” followed, then Denny’s “Go Now.” At this point, as Linda joined Paul at the mic, I realized she was actually there. She was wearing a black multi-colored dress for anyone who wants to know those sort of details. Paul went back to the piano again for “Call Me Back Again.” I’d been waiting for him to sing this so I thoroughly enjoyed it. I swear he’s so much better live and I feel really sorry for anyone who hadn’t been lucky enough to see Paul in concert yet. “My Love” followed with barely a few seconds between them. Then “Listen to What the Man Said.” Paul introduced the brass section next before singing “Letting Go.” Even from my distant seat, the way Paul moved to that one was magic. This was another song I thought came over much better live than on record. “Junior’s Farm” and “Medicine Jar” brought us to the last song, “Band on the Run” and the welcome surprise of the film of the lp cover. It didn’t seem possible that two hours had already passed and I felt so sad then.
Not having seen the show before I didn’t know for sure if Paul always did an encore so I couldn’t have been happier when they reappeared for “Hi Hi Hi.” After that I was sure that the concert had ended but after they again came back for “Soily.” I couldn’t believe my luck! No one moved to leave even after that last encore and the whole hall echoed in “We shall not be moved.” The group did come out again to throw flowers into the audience and Paul briefly “conducted” the singing before explaining they had no more songs. Everyone reluctantly started to leave then. Personally, I was willing to wait all night just in case Paul changed his mind, but I remember my poor husband on this chilly September evening outside. As I was leaving my seat to walk downstairs someone rushed up to me holding my purse, asking if it was mine and I couldn’t believe it! What luck as it’s not often that people are as honest as that. Apparently, I’d dropped it on my way to the seat after all. That really made the evening perfect. I didn’t have many pounds in my purse, but I’d have hated to have lost that autograph.
Monday, October 29, 2018
Sunday, October 28, 2018
Thursday, October 25, 2018
Wednesday, October 24, 2018
Looking for Lennon - a film review
Looking for Lennon is a documentary about John Lennon's formative years in Liverpool and is available on DVD/Blu-ray. If you are like me, your first thought is "Great -- just what we need--another documentary about the childhood of John Lennon (insert eye roll)." I first saw this film at the Fest for Beatles Fans in New Jersey in 2017 when it still had time stamps on the bottom of the screen and even then I was amazed by how well made this film is and how interesting it was.
Sure, it does go over a lot of the same ground that anyone that loves John Lennon is familiar with. John's father left for the sea, John's mother got pregnant and gave the baby up, etc etc....onto John and the Quarry Men perform at the Church Fete and met Paul McCartney who could tune a guitar and play 20 Flight Rock. However -- there are several stories that I had NEVER heard before. John in a boxing match at school? Fighting over a cap gun? How did he really act after his mother died?
The folks interviewed for the film are some pretty heavy hitters: members of the Quarry Men, Hunter Davies, Sam Leach, Jugan Vollmer, plus others that aren't so heavy of hitters but have some fun stories to share. Many of John's schoolmates that weren't his best friends, but still ran around with him were interviewed as well as some of the friends he had in art college. The saddest story is hearing Nigal Walley tell his story of watching Julia Lennon die and how he often thought if only he had talked to her a bit longer, the accident wouldn't have happened.
I did not care for some of the things in the film. The first one if the old "John beat Cynthia" accusation. Cynthia says in her book that John slapped her once. While that shouldn't be condoned, that is far from "John beat Cynthia." No one saw John beat Cynthia and since both parties have passed away, I think it is time to say that is something that is undetermined and not a fact. Someone from one of the bands in Mersey side said that John grabbed a woman's bosom and punched her at the well-known Paul McCartney 21st birthday party. I find it strange that I have never heard that before. With all the people who have talked about John hitting Bob W., surely it would have been mentioned that he was also violent towards a woman.
The other issue I had was Hunter Davies getting out his little red book to prove that John told him that when he was 5 he had to choose between his mother and father while in Blackpool. Mark Lewishon has debunked that story. I feel like Davies took out that book to prove that Mark is wrong. What Davies doesn't understand is how children's brains work. The details had been worked out between the adults, but they very well may have asked John which parent he wanted to go with. Maybe the adults even meant for the rest of the day and not for the rest of his life. But as a child and then as the memory grew with John, it got turned into him having to choose between his parents. John wasn't lying. He told the story from his memory of it as a five year old.
Anyhow--I am getting a little too geeky here and need to wrap this up. It is a great documentary with lovely scenes of Liverpool. It includes real John Lennon solo and Beatles songs (must have cost a LOT!) which you never see in straight to DVD documentaries. Some of the accents are hard to understand, so if you have an issue with accents, make sure you turn on the closed captions.
Right now I know the film is available at Wal-mart in the USA. Once it is availabe on Amazon, I wil put up the link.
Tuesday, October 23, 2018
Fans Meet the Beatles
This story is from some named Rainer Adams who met Ringo. He is from German and what I am sharing is translated from German and was published in the fan magazine The Beatles New Book from the April/May 1975 issue. The English translation isn't great, but you will get the idea.
Hello Beatles-Fans!
Between 28th of December 1974 and 3rd of January, I was in London. The fifth time and it was great. At first, my friend Charly and I went to the Lyric Theatre to see the musical "John, Paul, George, Ringo and Bert." It was a nice play, but not all of the parts of the piece were tasteful (Hitler took a role in it). I think it would be successful in Germany, too.
Then we went to St. John's Wood, Cavendish Avenue (London N.W.5) to see Paul, like I did on my last trip in March 1974. He wasn't there. On the last day of the old year, I took a train to Ascot. I was hoping to see Ringo, although many newspapers said that the ex-Beatles were all in America. They were wrong. Ascot is a beautiful place, well-known for its horse racing. I asked the taxi driver to bring me to Tittenhurst Park and he did.
Ringo was there (surprise, surprise). He lives in the house where John lived (the entrance is shown on the cover of "Hey Jude.). My present was a bottle of wine and he gave me some autographs and a rare photo of him with autographs. A special present of him was sunglasses with stars on the glasses and a button of "Goodnight Vienna." I had great luck on this day.
On the last day, I gave him a photo from the white double album with my address because I want to get an autograph on it.
Ringo was the third Beatles from which I get a personal autograph (after George and Paul). Now, I hope to find John Lennon "One Day at a Time" That's all!
Best wishes!
Monday, October 22, 2018
Paul has gone LooneyTunes!
There is a new promotion going on. If you buy the CD or vinyl of Egpyt Station, you have a chance to be entered in to a contest to win one of 20 lithographs of the Cavern Live signed by Paul McCartney. If you look at the one in the middle, he signed it "James Paul McCartney," so that would be extra awesome to win.
However --- why wasn't this offered, I don't know, before we all bought the album? It has already been at #1. Is this how he plans on getting it back on top? Everyone that already bought the album will buy it a second time to have a chance to win his autograph?
A company named "Looney Tunes" is offering this promotion -- and frankly, that is what I think about all of this -- it is looney!! Will I give in and buy another copy and try to win?? hmmmmm?????
https://ltcds.com/paul-mccartney-and-the-greatest-contest-in-looney-tunes-history/
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