Showing posts with label 1965 tour. Show all posts
Showing posts with label 1965 tour. Show all posts

Tuesday, March 26, 2024

Mad Mel Returns




 

Here are the Beatles at a press conference in Portland, Oregon, in 1965.  That guy in the striped shirt and big sunglasses is none other than Mad Mel,  the Australian disc jockey who orchestrated the knitting of a huge scarf that he presented to The Beatles during their tour of Australia.  You can read the story about that here. 

When I saw these photos the other day, I was confused about why Mad Mel would be at a Portland Beatles press conference.   I discovered that in 1965, Mel left Australia and was a DJ at CFUN in Vancouver, British Columbia (Canada).    Portland would have been the closest town to Vancouver to have a Beatles concert that year.   Since Mel had a friendly relationship with the Beatles, it makes sense that CFUN would send him down to Oregon to attend the press conference.  He must not have spent too much time in Canada because I read that Mel was back on air in Australia by the end of the decade.  It is believed that Mad Mel still lives in Sydney.  As far as I know, he hasn't been interviewed about his time with The Beatles.  Hopefully I am wrong and the book about the Beatles in Australia that is supposed to be published this year will give us more information about this interesting disc jockey and his Beatle connection. 

Monday, March 25, 2024

Flying across America


 Paul wearing the red anchor shirt -  I am thinking this might be on their way to Chicago in this photo becasue of this photo of Paul arriving in Chicago in 1965. 




Thursday, February 29, 2024

Jim Stagg's take on The Beatles


 

This week, I have been posting interviews that the Beatles gave to various U.S. disc jockeys for Datebook magazine during the 1965 North American tour.   The last one I have isn't an interview but more of a reflection written by Jim Stagg. 

Chicago's Jim Stagg, host of "The Stagg Line" on WCFL from 2 to 6 p.m. Monday through Friday, is generally ackowledged to be one of America's top D.J.'s. Before his DJ days, Jim sang on radio stations in Philadelphia, San Francisco, and Cleveland and even had his own album of songs -- 18 copies sold, according to Jim. And all to his mother.  Right now, Jim feels that protest music is "a good indication that young people are thinking more and more about today's problems and issues -- much more than my generation did." He's 30, by the way. 

Jim accompanied the Fab Four on their 1964 trip as well as the 1965 tour. Following are excerpts from Jim's interviews with the Boys as well as his personal impressions of them. 


Have the Beatles changed since the last tour? No, I don't think so. They're just as unassuming as ever. They reflect an air of satisfaction and contentment. They've arrived, and they're basking in the warmth of it. As George Harrison said, "We don't have to prove nothin' to nobody."

Regarding the controversy over their Order of the British Empire, John Lennon told me, "It's the highest honor we could ever achieve. All of the other people who received the medal got it because they killed other human beings. We have earned ours by entertaining them. Consequently, we deserve them more."

Has marriage changed Ringo? Ringo told me, "The most important element in marriage is a willingness to compromise." I think marriage has changed Ringo. He's a little more serious than he was, a little less flamboyant, and perhaps becomes irritated more quickly than he used to. He's still the same warm and sincere individual and perhaps the least assuming of the entire group. He doesn't put on airs. He's just plain Ringo.

I asked the Beatles, "Could any one of you alone be as big asd as successful by himself without the other three?"

They all agreed, "No, it could never happen."

But Ringo added, "If any one of us could ever achieve success by himself, it would be Paul McCartney. He's got the looks. He's got the best voice. And he's a talented songwriter. And besides all that, he's such a dolly!"

Hundreds of girls have asked me the same question. "Are the Beatles REALLY as nice and friendly as they look?"  My answer? Yes, dear little Beatleful girls.  They are not only nice and friendly, but they are perfect gentlemen until they are bugged! (You should pardon the expression)

For instance, they all but tear their famous moptops out when they are asked the following question by interviewers: "What are you going to do when The Bubble bursts?" And you can't blame them for being irritated at things like that - they're entitled to revolt. 

How do they feel about the latest fashions? Paul McCartney told me, "I like girls' skirts about the knee. Why shouldn't I? They've got such pretty knees!"





Tuesday, February 27, 2024

Gary interviews the other Beatles

 




More interviews from Disc Jockey, Gary Stevens during the 1965 Beatles tour in North America and Datebook magazine.


Gary: Which do you prefer - playing a few weeks in one theatre as you do in England or one-nighters as you do on tour here?

Paul: Well, actually, if you think about it, if we play one place here, it's the equivalent of playing two weeks in England because the theatres are so much bigger here. 

Gary: One of the newspapers last night had a story about you being about to marry Jane Asher. Is this just one more false report that you have to deny?

Paul: I never said it, but it's daft to deny it. That would just add to their story. They only write a story like that so that the next day, they can say, "Paul McCartney denies it."

Gary:  Some people say your style of music is changing. Do you find that you are doing more folk-style or country-western?

Paul: Not really.  We've done a few in country style, like "Honey Don't." On our last album, you might think we're going classical because we've a string quartet on it. But we just like doing a bit of everything that pleases us. 

Gary: how did you feel facing 55,000 people in Shea Stadium?

Paul: Not nervous about it. Even if we made a million mistakes, nobody would know about it. We just listen to them!

Gary: Do you feel that you're almost a prisoner in your hotel?

Paul: No, I quite enjoy hotels. And besides, all the people we like come to visit us, instead of us going to them. But I would quite fancy going for a walk sometimes. 


Gary: How is married life treating you?

Ringo: I enjoy married life. It's good fun.  Everyone should be married. 

Gary: Are you the boss?

Ringo: I think I am, but I'm not sure!

Gary: Do you have any pet names for your wife?

Ringo: No.  I just called her Maureen, Mo, or Midge.

Gary: How have people reacted to your marriage?

Ringo: Ninety-nine percent of the mail was good.  Everybody congratulated us. 

Gary: Are you nervous about the big crowds that mob you?

Ringo: the only thing you have to be careful of in a big crowd is that there are so many people.

Gary: you often steal the show when you're all together. Are you the natural comedian of the group?

Ringo: I don't think I'm funnier than anyone else. 

Gary: Are you going to get tired of making movies after a while?

Ringo: No. I don't think so. I enjoy it more and more.

Gary: Do you get tired of singing the same songs over and over at concerts?

Ringo: No. It's just like being a builder. They can't use a new style of brick every day. 

Gary: Do you think it was more fun on the way up than now?

Ringo: It wasn't fun when we were starving. But when we first had a number one records, that was great. Then we played the Palladium, and someone said you couldn't do any better than that. And then we did Carnegie Hall, and they said the same thing.  It's a very good coming up. 

Gary: Has having money changed you? Are you a different person now?

Ringo: Not really. But I know that people sometimes just talk to you because you are a Beatle, not a fellow. 


Gary: You're dressed casually in Levis spattered with paint.  What's the story behind all that paint, George?

George: I'm not an artist if that's what you're thinking. The paint is from my painting the walls of my house in England. 

Gary: Do you buy most of your clothes in England?

George: Yes, but there are some good clothing stores in the south of France, too. 

Gary: Do the Beatles usually take their vacations separately?

George: Yes, but I haven't had a holiday in a long time. 

Gary: George, you seem to have the longest hair of the Beatles. Was it always that way?

George: We all had much longer hair when we were first getting started. Brian Epstein had us cut our hair a bit and put on suits. But now our hair has started to grow back to normal again. 

Gary: Do you find that old friends react differently to you now that you are famous?

George: No. People who have been good friends are still good friends. They are amazed when we visit them, and they see we are still the same as ever. We haven't changed all that much. 

Gary: Do you get on well with other English groups?

George: If you were to go into one of the popuar English clubs at night, you'd probably see members of maybe eight groups who are all enjoying a laugh together. Like with the Aniumals and the Stones. People think we all hate each other, but that's not true. We're all in pretty much the same position, and talking about our work relaxes us. 

Gary: How do you feel about the tremendous effect you have on fans?

George: We don't want to be setting examples to people. We enjoy the music we play and the films we make, but we don't want to put ourselves on a pedestal and say we're gods now. We want to be normal and stay sane, and have a great time. 




Monday, February 26, 2024

Interivew with John


 

Just like the interview with George I posted yesterday, this is an interview with disc jockey Gary Stevens and John Lennon from Datebook magazine, published in 1965.   It occurred during the 1965 Beatles North American tour. 


New York's Gary Stevens is one of the youngest DJs in the Empire City, entertaining one of the nation's largest teen audiences from 7 through 11 p.m. every night on WMCA, the home of the "Good Guys." Gary shares the spotlight with his friend enemy, the Wooley-burger, which he calls "the world's most ferocious animal." According to Gary, "Listeners can tell by its growl that this is no beast to fool around with," but they can count on this lively character to serve as the foil for Gary's lively pranks. 

Before joining W.M.C.A., Gary DJ'd in Miami, St. Louis, and Detroit, where he also hosted a TV bandstand show. 

He's a Beatlemaniac from way back, even having vacationed with them in London. 

Following are excerpts from Gary Stevens' various exclusive interviews with the Fab Four. 


Gary: Do you feel that your audience has changed any?

John: Over all, it's probably grown a bit.

Gary: Is your audience growing up?

John: No, I think getting younger. The average age is about 13.

Gary: Is it easier to play for a lot of people than for a small group?

John: Yes. Nobody is going to know what we're doing. 

Gary: How is life for a Beatle in London? Are you always surrounded by fans?

John: We can go almost anywhere in the world as long as we go alone. If I leave the house, say, at 10 a.m. and go out to buy a pair of shoes - a few people will see me, but no big crowds with gather, and no press. 

Gary: you have the reputation of being the "intellectual" of the gorup. how do you react to fans' worship of the Beatles?

John: It looks like worship from the outside, but we really don't meet any fanatics. You know that the fans like you, but you never know how they really feel.

Gary: It has been said that you fellows don't take yourselves seriously. Is that true?

John: No, we couldn't. If we did, we'd start thinking we were gods or something.

Gary: Do you get nervous when fans charge at you?

John: Not too. As you know, our security is pretty amazing. 

Gary: If you could say one little thing to your fans, what would you say?

John: What I'm saying now.  I don't think of them as a mass. If I were talking to one of them, I'd find out what she wanted to know. I wouldn't just say "Hi, thanks for buying my records." Maybe she likes us and doesn't buy our records.

Gary: Does acting come naturally to you? Do you have a dramatic coach?

John: No, we don't. They just give us lines, and they try to make it look like we're acting. Half the time, we don't look at the script. We do it on the spot, and it requires many takes. I didn't even know what our two films were about until I saw them. 

Gary: Do you like to listen to your own singing?

John: I like to listen to our new records.

Gary: Are you a perfectionist?

John: No!





Sunday, February 25, 2024

George and Drew (Datebook inteview from 1965)


 

This interview was posted in Datebook magazine in 1965 after the Beatles 1965 N. American tour.  


Atlanta's Paul Drew, one of the most influential disc jockeys in the nation, has been the mainstay of WQZI's talk-and-music schedule since he took over in 1963. With his straight-from-the-shoulder, no-kidding-around approach, Paul has managed to garner the enthusiasm of both teenagers and adults in and around Atlanta on weekdays from 7 to 11p.m. and Saturday from 6 p.m. to midnight.  The kids really listen to what "Paulie" has to say on station "QUIXIE" because they know he's a phony baiter from way back.  On his show, you can hear the latest in pop as well as authentic regional music. Paul Drew's favorite composers? Paul McC and John L. 

Paul traveled with the Beatles on both their American trips.  Following are excerpts from the series of interviews he had with the Beatles as he accompanied them on their last tour. 


Drew: Who is Steve Bimbo and the Alligators?  I heard you mention him yesterday. 

George: Steve Bimbo is nobody.

Drew:  Who made it up?

Geroge: John. It's one of these things that we do if somebody is having a discussion or talking about something.  And one of us just doesn't quite catch a name and says who, and the other one, instead of telling him the name, he'll make the name up, and that's what John did the other day. 

Drew: Oh, this is a brand new joke from yesterday?

George: You see, I was drying my hair with a weird hair dryer that actually shook my head so that I couldn't hear what everybody was talking about, so I kept sticking my head out, saying "Who" or "What?" And every time I do, John would say, "Steve Bimbo and the Alligators." Just a little joke, you know. 

Drew: Have you done any shopping for any of your friends in England since you've been in America?

George: No, we're all slow. We just bought a few T-shirts and hats, but you know we haven't bought anything spectacular; all we bought was a portable radio, you know, a transistor.  We usually have to get somebody to come down from the shop and bring everything he has, and then we end up buying quite a bit of stuff. But you know, there's nothing really that we can think of that we want. 

Drew: And I guess it does take some of the fun away not to be able to go out and buy it yourself?

George: Yes that's the thing, 'cause you know I like going in a shop and then seeing something and then buying it. for us, we've got to know what we want beforehand and send for it. But when somebody who owns a shop brings down a whole lot of stuff, he usually brings stuff that we never thought of, but we like, you know.

Drew: I notice you have a comb in your pocket, do you comb your hair much? Or do you just usually let it lay naturally?

George: Well, I just usually comb it when I get up in the morning, trying to get it going right. Because it's usually like a tree when I wake up in the morning. Then I comb it before I go on to the show. 

Drew: Have you had a haircut since you've been on this tour?

George: I clipped a bit off of it myself last night. 

Drew: What did you do with the locks? Everyone will be interested.

George: I wrapped it up in a few pieces of tissue and threw it down the toilet. 

Drew: Shame on you. Those poor fans who'd like to have a lock of your hair!

George: Never mind.

Drew: Any particular reason why you don't sing one of your two songs on the American tour?

George: Yes. We like to do songs that are older ones that people know more about. You know, it's bad enough for them trying to hear what we're doing as it is. At least if they know the song, then they don't worry about hearing it as much. you know they can all join in or do what they like. 

Drew: If you could play, just for the fun of it, with any other group of your choosing, just say the other Beatles would say, "Go ahead, George, have a ball, go play with such and such, and give it a good go." Not professionally, and not for a future, but jsut for the fun of it, who would you like to sit in with?

George: I don't know. I'd like to sit in with the Byrds I think.

Drew: Have you ever done this, sat in with another group?

Geroge: Yes. Last trip to America. LAst year we ended up in Key West 'cause we couldn't land in Jacksonville because of the hurricane, and we stayed in a little motel there, and the Bill Black combo was on the trip with us, set up the equipment in the bar, and later when everybody had gone home, we had a sssion, just on our own, and it was nice.  I never enjoyed playing so much for ages. It was great. 




Tuesday, February 6, 2024

Fans at Shea


 

Here we have a group of girls waiting to see The Beatles at Shea Stadium in 1965.   They are all wearing white shirts, dark skirts, and  orange armbands.  They must be in the same club or group.  Does anyone have any idea who they represent?  I love how many of them have bought their programs and have cameras with them.  What a great time capsule photo. 

Tuesday, November 21, 2023

In Quest of a Teenage Phenomenon

Photo  by Scott C. Dine (St. Louis Post Dispatch photographer)
The apex of a Beatle fan's career -- Miss Gale Wachsnicht touches Ringo's sleeve. George follows John in a rear door escape from their Chicago motel.  "I grabbed George," Gale said breathlessly, "just a couple of seconds before the policeman grabbed me."

 

In Quest of a Teenage Phenomenon – the Beatles

By Sally Bixby Defty

St. Louis Post Dispatch

August 27, 1965

 

“I touched them!  I touched all four Beatles with this hand!” Miss Barbara Ziegenbein gasped as her idols sped away from their Chicago motel to a doubleheader at White Sox Park.  To touch even one Beatle requires the resilience, imagination, and raw courage of James Bond, Barb, daughter of Mr. and Mrs. Ziegenbein 111 Five Meadow Ballwin, had spent three months planning the feat. She and Miss Gale Wachsnicht, whose parents are Mr. and Mrs. Henry Washsnicht 10334 Oak Avenue, Overland had obtained tickets in May.

Craftily, they wrote to the five swankiest Chicago hotels saying they would be in Chicago the weekend of The Beatles’ arrival and did NOT want to be involved in mob scenes.  “Please assure us that the Beatles are not staying at your hotel,” the letter concluded.  The one hotel that did not reply was obviously their target, the girls reasoned.

“It’s not sex,” the girls explained.  “The Beatles are just cuddly.  We’d like to do their laundry for them – things like that.”  When asked who was her favorite, Barb answered, “First I  liked Paul best, then John’s book came out and I loved him.  After I saw “A Hard Day’s Night” I liked Ringo the most. Now that I I’ve read the book by their manager, Brian Epstein, I kind of go for HIM.” 

Having received a tip that these mid-century phenomena, would be staying at the Sahara Inn near O’Hare airport, I decided to accompany the girls in their quest last week.  I arrived at the motel to find them casing the layout of the sprawling Sahara.  Eager-eyed teenagers filled the corridors.

A porter confided that the Sahara was already planning to sell the Beatles’ sheets at $1 a square inch.  (The girls ended up such friends of the head maid that they were given free swatches of both Thursday and Friday night sheets).

Many informants believed that the Beatles were to stay on the sixth floor of the motel tower. The junior detectives telephoned all rooms on the sixth floor, but received no response we decided to investigate via the fire escape under cover of darkness.

As we crept to the fifth floor, Barb spotted a ladder leading to a parapet on six. We climbed up gingerly only to find the sixth floor was under construction. In the inky blackness we debated whether to tie a rope to a stud and slide down the outside of the building to rap on a Beatle window when they arrived.  Gale sighed, “Oh, if they only knew what we go through for them!”

All kinds of girls came and went during the long vigil in the parking lot. There were cleanout girls in madras shirts and denim skirts, Courreges girls in white boots and short dresses belted at the hip, and a trio with long, straight hair, tight white Levis, black leather caps and jackets and pale impassive faces so tough they scared me.

It was after 4a.m. when, without fanfare, black limousine glided to a stop before the motel and was immediately buried under ecstatic girls, including Barb and Gale.  After police scraped fans off the car, out came the real live Beatles:  first Paul (the cute one), smiling and gently raising his finger to his lips to quite the crowd; then George (the man of mystery), Ringo (the Chaplinesque Beatles) and John (the thinking girl’s Beatle)  (John has just published his second book ‘A Spainard in the Works’ which has been called the teenagers introduction to James Joyce.)

Girls stuffed themselves into the Cadillac to breathe Beatle air.  A tiny blonde ran up to me glowing and said, “Look! A chewing gum wrapper from the floor!” I started to examine it and she cried, “Don’t unfold it!  THEY squashed it up that way!”

I awake the next morning to find a sea of teenagers on the parking lot waving, shouting or just staring at the fifth floor.  By early afternoon they had become a formable force which broke police line as if it were a daisy chain.

So Barb and Gale sneaked around to the back door and when the Beatles emerged the girls had their idols almost all to themselves. They returned dazed and weak in the knees.

“I got to touch Ringo!” Gale said, “and then I grabbed George!” Though a policeman had pushed her to the ground to disentangle her from George, her current favorite, it was an experience of a lifetime.

At the concert at White Sox Park the screaming rose to an excruciating pitch   as the Beatles trotted from the dugout to a stage set up on second base.

Leonard Berstein, who considers the Beatles’ music an art form, listens to them in person with his fingers in his ears.  I discovered that the conductor of the New York Philharmonic knows what he is doing.  A gentle pressure on the ears muffles the piercing yells so that one can faintly hear the twang of guitars and the beat of Ringo’s drums.

Though a few girls wore “Please don’t scream – sing!” buttons, most of the audience of 30,000 shrieked as though in agony.  Weeping, shaking their heads with faces contorted, fists clenched, they screamed in staccato barks of pain.  Barb explained it, “These girls have been waiting so long – they just love the Beatles, they’ll never love anyone else, and at the same time they know they’ll never get close to them and it’s all in vain.”

Paul, smart and well-groomed in striped shirt with a stiff white collar, tie, and well-cut navy suit, appeared poised and cheerful at the press conference. Ringo, dressed in a wide stripped T-shirt and jacket, looked indescribably woebegone. His eyes and his eyebrows slope down toward his earlobes, the mouth droops, and that nose….

When asked why he always looks so sad, Ringo answered, “Thot’s joost the way the face works.  Ah’m really quite hoppy inside, it just doesn’t show.”

George, a distinctly lupine young man with a mouthful of crooked teeth, said that in Houston teenagers had broken police lines and swarmed over and under the airplane.

“When I saw them lyin’ on the wings smokin’ I thought we were dead for sure.” He said in a soft Liverpudlian burr.

Philip G.D. Adams, the British Consul-General made his way to the front of the room. “I do beg your pardon,” he intoned in a Rule Brittania voice, “but do you chaps consider that you do a good job for your country?” John leaped to his feet with a fixed toothy grin and a snappy salute.

As the Beatles nodded their assent to the question amid general laughter John shot a level glance at the British official and quietly asked, “Do you?”  

Thursday, June 8, 2023

...and then a riot broke out





 Personally I think the 1965 concert in San Francisco was the most dangerous concert the Beatles performed.  

Wednesday, May 24, 2023

Waiting to see The Beatles



 These fans got their $1.00 Beatles program before the concert and are happy to see the new photos of the Beatles. 

Tuesday, April 18, 2023

A First Date






 


A First Date

By Pattie Pourade

The Harrison Alliance

November 1972

 

To paraphrase Tony Barrow, it began by his simple instructions that when The Beatles sat down the photographers would be given five minutes after which they would all remain seated during the press conference.  Their procedure for asking questions was orderly and simple.  After being called on, please stand up and speak loudly.

I was a shy 14-year-old and in those last minutes before the Balboa Stadium dressing lockers gave the Beatles to the San Diego press, I didn’t clutch my friend's hand but I needed to.  He was as excited as I was.  Driving into the city we’d ranted and raved over them, although he admitted he’d much rather look at their wives and girlfriends.

So August 28, 1965, was about to come to a climax that had begun to build several weeks earlier when the city was added to the series of concert dates The Beatles would play.  My girlfriend and I bought tickets and sat the summer away on the beach waiting for “B-day.”  “August 28 is Beatle Day” said the buttons KCBQ announced daily that the KG-Beatles were San Diego bound.

On August 25th, my dad, a printer at one of the smaller papers in town, asked me how would I like to go to a Beatles press conference as a reporter.  OH MY GOD, YES!  That was Wednesday, and by Saturday night at 7:00, I was not ready to face The Beatles.  My friends were in the stadium now.  I was alone, 4 years younger than the minimum age The Beatles had agreed could come in.  They had also requested 4 televisions, several cots, and a bathtub of fried chicken, but this had no bearing on the press conference.

Neil dressed almost identical to George, had been wandering around the basketball court where we sat in folding chairs along with several members of the entourage and many traveling D.J.s.  An oblong table sat in front of us, one side laden with A Spaniard In The Works, a cake, and a gift wrapped in white tissue with red ribbons.  John would sit here next to the protecting figure of Mr. Barrow.  Ringo would sit between John and Paul, looking much smaller than his companions, and on the opposite end, a grim, cigarette-sucking Harrison.

He was my first in-person glimpse of a Beatle I had as a photographer lifted his arm and I caught sight of his narrow face shrouded by dark very bushy coarse looking hair.  I said to Pat, “I just saw George.”  And he told me he’d seen John sitting directly in front of us. When the photographers backed away, I saw The Beatles sitting behind the table certainly not an iota as interested in us as we were in them. 

Two trench-coated Teen Screeners walked up next to John and he mutter “Ah Teen Screen” in a mocking way.  Anyone who had seen the California Beatle press conferences will know Paul had a knack for getting the bum microphone – that night was no exception.  He leaned forward over the table to see the wires at his feet, obliging to a “hello hello…” until the microphone sputtered to life.

“Hey, Paul, do ya have a cigarette?” a fellow sitting directly behind me yelled.  Remember Paul used to be the pushover for fans?  Even though Paul wasn't smoking at the time and George was, giving his press barely a bored bunk of his eyes, he asked Paul, who I admit looked like Santa Claus next to grim George.  Paul took a rumpled soft pack from his back pocket.  “Throw it here,” from behind me he yelled unaware Pat and I were already making hasty plans to grab the sailing pack as it flew past us.  Paul tipped his head and said like a boy being caught at the cookie jar, “But it’s me last one.”

“Ah, come on Paul!” several people shouted but he put the cigarette up.  Maybe he thought George might run out. I don’t know what George would have done without them that night.  His was a monumental habit.  John was trading comments with Ringo (“Ah, little Richie”) and one man about being away from Maureen.

I was in a state of catatonic shock.  They were real, just a matter of 5 feet from where I sat.  John’s hair glowed golden red in the late-day sunlight.  He looked hefty in a white suit and black shirt.  I was overwhelmed by Ringo’s small statue and, of course, Paul’s eyes.  His hair glistened almost black and along with his mates, he showed no hint of having been in the sun even though Paul said later he did have a tan.  George flanked his left side leaning against one elbow with his chin resting on his fist for the most part.  His jacket was black, his eyes as bitter and brooding as the sarcastic way he responded to the questions.  A reporter said of him, “to the unpracticed eye, George seems the most egotistical Beatle. He seems to improve on that description of his attitude that night.”

John and Paul, at that time more the talking Beatles, answered most of the questions.  I wrote down answers fast and furious – and only later did I realize I hadn’t bothered to write a question to accompany any answers.  How did the Beatles answer questions 7 years ago?

Q:  Do you have any advice for teenagers?

John: Don’t get pimples. 

Is he putting us on? Everyone laughed dutifully, although a pimple-faced teenager thinks it’s no laughing matter.  Most of the questions were asinine, from mindless reporters who still doubted The Beatles were anything more than a spinning record.  They answered questions about their hair, Ringo’s’ rings, county and west songs (Act Naturally).  George pointed out with a you-dumb-ass attitude that several Beatle records were country if he’d taken the time to listen.  Paul really taxed his memory to tell us, “yea yea yea” He did like “Man From Uncle” and shot at us with his machine gun arm.

Q:  Do you have any ambitions?

John:  No.

George:  I’d like to race the Indianapolis 500.   Paul turned his head sideways and said, “Yes – on a horse.” And George even smiled.  We laughed at that witty McCartney.

I waited at least 10 minutes before I musted the guts to raise my hand, and as luck goes Tony Barrow pointed straight at me.  I pointed at myself and squeaked, “me?” and my life began to pass in front of me.  He nodded.  I stood on legs Jell-O products would have gladly packaged and whispered my question.  John looked at Tony and said, “I can’t hear her.”  Had I been prone to swearing, then my thought would have been, “Oh shit.”  I repeated it, “What was your reaction to Sukarno’s burning of anything by or about The Beatles?”  I thought it was a great question from a 14-year-old who would much rather have known how George’s mother was.  John said, “It was stupid.”  George raised his head and sneered, “We took it bitterly,” and my self-esteem took a hurling crash to my feet.  At the time, it hurt me that George would take that angry attitude with me.  Paul bashed on in with a lengthy reply telling me they should have sent it back so they could resell it.  I think, knowing I was dumbstruck with them all, he gave me a nod and a wink and a smile.  My legs melted, and I sat down, blushing purple I suspect in trembling.

Someone asked them what they did when they got to their hotel rooms.  Paul offered, “We shower, have a cup of tea, and brush our teeth after every meal,” in his best Crest toothpaste voice.  Questions about the MBE - John later returned – as to whether they thought they deserved them.   John replied, “A lot more than some who’ve got it.”  Everyone applauded him, and rightly so.  Making money by music will always be more positive than murdering in the name of any government.

A beach-minded California asked them did they like surfing.  It looks like great fun but very difficult and they didn’t have the time to learn, Paul answered.  He added with a twinkle they did have boards though, the ones with the little wheels that they ride in their hotel rooms.

One determined, hardened reporter asked George what he’d seen of San Diego.  Not too astonished at all at being questioned directly, he answered honestly with a slight grin, “I saw the freeways.”  John popped in, “I saw the sea.”  Someone ought to tell the boy that the large expanse of blue saltwater is the Pacific Ocean.  Seven years ago, he might have denied it, though.

John thought it was important since they were powerless to stop them, that we fans know that rubbish in magazines was all “trash and just printed to sell.”  (I can remember George tersely telling a D.J. that Pattie did not write that column in 16 Magazine and they didn’t even know the Ad Lib was not THE place anymore).

To the question of the Beatles being part of a communist plot to demoralize American youth, Paul laughed and said, “That’s a bunch of rubbish.  We’re not communists!  We’re filthy capitalists!”  Right on.

My date inquired after John’s reported sore throat which he said was fine now and then asked were they saving their money.  John told him that was easy because they didn’t have time to spend it.  Then George said ever so seriously in his clear but Liverpool mumble, “ I spent all mine on cigarettes.”

It had lasted no more than a half hour when Tony said that was all, and three Beatles beat a hasty retreat to their fried chicken, cots, and telly.  Paul stood and signed several autographs.  He looked to be enjoying the attention, and as always, in those days, we were enjoying him.  I stood next to him, amazed that he seemed so tall when my father, at the same height, had never struck me that way.  Even after this close in-person glimpse at the professional part of George, John, Paul, and Ringo, they were still bigger than life.  It took me months to come off this cloud.  I was struck most profoundly by George’s ill temper and Paul’s oppositely amicable replies, and John’s beautiful hair.

Pat and I both floated out.  We passed a sobbing girl near one of the gates who wept, “I saw Paul.”  I wish I could have wept and screamed and hugged my closest friend.  I was just 14 – I’d been near them – close enough to hear a cough and a striking match.  Over an hour later, the Beatles crossed the grassy field to the stage amid screams from thousands.  “I just saw them…” was all I could think and basically is the clearest memory I carry from the concert itself. 

It was a day like any other, except I was there.  What more could I ask for my first date?

Wednesday, October 5, 2022

That Day at Shea


 

If you have seen the Beatles at Shea TV Special of the 1965 concert, you have the beginning where they show the Beatles getting ready for the show in the dugout.   And you see John pick up a baby sweater and hold it up (see the screenshot I made above).    And if you are like me, you have thought, "why is John holding a baby sweater?  Why was there a baby sweater backstage to begin with?"   Well, Beatle friends, I discovered the answer to that question in a 1982 issue of the fanzine Good Day Sunshine.  Once again, one of the biggest Beatles mysteries has been discovered right here on MTBFR. 


That Day At Shea

By Patty Saksa

Good Day Sunshine

December 1982

 

As I was reading a past edition of Good Day Sunshine, I was reminded in “Beatle News and Other Interesting Views” that 17 years ago, on August 15th, I was part of THE concert at Shea Stadium.

That day dawned after weeks of anticipation.  As a 14-year-old girl, I thought the day would never come.  My friends and had saved our babysitting money to purchase our prized possessions – TICKETS – months before the show through Show Bus Tours.  What more could a Beatlemaniac ask for?

My friend Mary and I had decided that we would buy a present for Ringo and Maureen for their yet unborn first child and then somehow get it to him.  Again, we saved more babysitting money, and on August 12, 1965, we purchased an infant’s sweater set.  Having wrapped the present carefully in paper decorated with babies and flowers and with a letter included inside to Ringo, we held on to our gifts to go as the bus left Norwalk, Connecticut, at about 5 pm.

Beatlemaniacs of all ages were on that bus, singing songs and screaming as the bus converged with other Beatle buses onto the roadway to the home of the New York Mets.  As we drew near, someone spotted a helicopter, and immediately we hung out of the window, hoping that they would see us!  Our bus pulled in at 7:55 pm, and since the concert started at eight, a mad rush ensued to find our seats:  LOGE BOX – SECTION 7 – BOX 341B – SEAT 7.  Having located our seats (we agreed that although they were good, the seats at Forest Hills the year before were better), we tried to be patient as the music began.  From where we sat, we could see the dugout from where THEY would come!  On stage, Murry the K introduced his dancers, and then N.Y. DJ Scott Ross brought on King Curtis.

What? Isn’t that Mick, Keith, and Brian in the dugout?  There, look, Ringo just walked through followed by – oh my God – John!  Nobody was interested in what was going on on stage.  Mick started waving to the audience, and our screams drowned what music could be heard through the small speakers.

The WMCA radio Good Guys next introduced Cannibal and the Headhunters.  During their act, Mary and I decided to somehow get the present to Ringo.  Holding onto the gift, I told Mary and her younger sister Margie to just walk down to the dugout as if we belonged in that section – but we were separated.  There I stood at the dugout, present in hand, heart beating and knees shaking as policemen stood guard on top of the dugout – sentries to keep us from our Heroes.  Nervously, I asked one policeman to please give my present to Ringo.  He tried to tell me no one was in there (but I knew better).  I asked if he could give it to someone who could give it to Ringo, but again he said there was nothing he could do.  In tears, I screamed, “What am I supposed to do?  We spent all our money on this gift!”  Angrily, I threw the gift, and it landed on the field just outside the dugout.  Those around me cheered, and I floated on air, thinking I had come this close to meeting them.

We made it back to our seats just as Brenda Holloway and Sounds Inc performed.  Finally, the roadies brought their guitars on the stage, and screams rang through the stadium. Cousin Brucie then introduced Side Berstein, who introduced Ed Sullivan, who introduced The Beatles!  Alas, the rest is history preserved for prosperity in the film “The Beatles At Shea.”

Oh yes, our seater did make it to them!  In the film, John holds up the sweater!  Also, a few weeks later, I received a letter from a girl in Canada named Gloria, who found my letter in their room in Toronto.  We corresponded for a while – a treasured clipping from a Canadian paper forever captures John holding the sweater but unfortunately, through years and moves, her letters have disappeared.  However, the fond memories I have will never disappear.  Preserved in scrapbooks of used tickets, yellowing tape, and newspaper clippings of a time 17 years ago when I experienced that day at Shea.