Showing posts with label 1976. Show all posts
Showing posts with label 1976. Show all posts

Tuesday, March 12, 2024

At Rehearsal With Paul


 "At Rehearsal With Paul- May 7, 1976"

The McCartney Observer #23 Winter 1983

Written by Pat Sudds


As a teenager, I worked as a volunteer at the Olympia Stadium in Detroit for the Red Wings hockey games. After doing this for 5 years, my friends (4 of us all together) and I got to know all the other staff...i.e., concession people, maintenance people and doormen, etc...quite well. By this time, I was 19, and we were getting ab it braver with our free entrance privileges. The bright idea occurred to us to try and get into rock concerts dawned on us slowly. we found that the doormen just let us walk in, thinking we were going to work that night. Of course, we had to show up at our usual time of 5:30-6:00 to make it work. 

On May 7, 1976, I met my friend, Fran, in the parking lot as arranged. Our other friends, Barb and Sandy, wanted to wait until the Saturday show to go. From previous experiences, we knew that almost all the other bands didn't show up until just before showtime and stayed completely out of sight behind the stage (Alas, we had no backstage friends to risk their necks for us!)

Once inside the building, our usual habit was to go to the executive offices and talk to the girls that worked there (sometimes the stars came in and they had gossip to report). As we headed for the stairs, I told Fran that someone was tuning a piano. She says, "So?" I was quite excited becaues the equipment is usually all set up to go by the time we got there. She pushed onto the offices. The girl on the switchboard told us that they were late getting the equipment from New York and were still setting it up. Fran looked at me with an I-told-you-so look. I persisted in checking this out (could be cute roadies). She gave in (to shut me up), and we went into the arena at the end opposite the stage.

Immediately, we noticed people on the stage, and they did not look like roadies! As we walked closer (ran closer?), we realized it was Paul, Linda, and Wings. Paul was at the piano. By the time we got up to the stage, he had left the piano and walked over to a guitar, picked it up, and strapped it on (his bass, I think). He had on a blue Hawaiian-style print shirt and jeans. I must admit that I could not tell you what Linda and the others had on as I never took my eyes off Paul.

Then, if all this wasn't enough (I really expected to be chased out of there), he spoke to us! He asked us to sit down, and they would play us a tune as the equipment just came in from New York, and they wanted to check the sound out. I looked around with a "Who me?" expression, and he gestured to the seats, and I realized he meant us!!

As they started to play, I remembered I had brought my trusty Kodak Instamatic along, just in case. I got it out and held it up tentatively. I did not want to offend Paul by taking pictures without asking. I guess this was my lucky day. His answer was to WAVE at me. So, I snapped while he mugged for my camera. 

They finished playing, and we clapped, and he said, "See you at the show," or words to that effect, and headed off the stage. 

After reading other accounts in "The McCartney Observer," I can really identify with the other accounts of not knowing what to say. I could just kick myself now for not saying something. But I was in a fog. Actually, I do not remember all the details of the concert because I kept returning to events earlier in the evening. 

Anyway, after he left, we rushed back to tell the switchboard girl about it and giggled, pinched ourselves, and giggled again until concert time. 

The next day, after hearing of our good fortune, Barb and Sandy tried to get close to the stage before the concert (although no one was on it), and the lightman told them to get out; no one was allowed in. After discussing the light man with them, Fran and I ascertained that he was there on our night, too, but let us go by without a second glance. Perhaps we looked more business-like, or he thought we really were working there!

I have taken that as a sign of fate, that we were just supposed to be there on Friday and have a special, private concert with Paul. 

Unfortunately, my pictures turned out to be as wobbly as my knees! Also, as I knew of no fanzines or that other shared in my Beatlemania after it was over, I never wrote everything down, and I cannot for the life of me remember what he sang to us (although I do remember that they ran the "Band on the Run" video on the big screen while he sang to test it out).

But, I know who it is in the photos, and I can remember how he looked at me and sang to me, and no one can take those few special moments away from me. 



Sunday, November 12, 2023

Upgraded


 I have posted this photo many times in the past, but here it is much larger and more complete.  I can never get enough photos of John from the "househusband" period.  

Thursday, May 4, 2023

Meeting Macca

Wings performance in Philadelphia in 1976

 

Meeting Maca In ’76 & ‘77

By Marina Sharpe

 The McCartney Observer

Summer 1977

It happened like a dream, meeting Macca for the first time on Friday, May 14, 1976!  I, along with my friend Peggy, were going crazy with anticipation of seeing Wings in concert at the Spectrum.  We met two of our friends, Karen and Darlene, in Philly, and we all got in Karen’s car and drove to the Spectrum.

The concert was so fantastic, the first of four Wings concerts I saw.  I thought for sure I’d be cool during the show, but I went wild at my first glimpse of Paul.  I screamed so much my voice was hoarse later in the evening.  I knew after seeing Paul on stage I HAD to meet him!

When the concert ended, we four – Peggy, Karen, Darlene, and I stood with the crowd waiting for Paul’s limo to leave the Spectrum.  Karen got a great idea of following the limo since the parking lot was right next to the ramp where the limo would come out.  So we all got in and sat waiting for the big moment.  When it happened, we were ready!  Paul’s limo came out, followed by three others and two police cars.  Karen was beeping at the crowd to move and managed to squeeze around the crowd and follow the limos.  What a chase it was!  We were scared the police would stop us because we were going 90 miles an hour in a 60-mile zone! We got past the police, who stopped a few cars by the small airfield. Karen parked across from the limos.  They were lined up in front of the gate where a plane was waiting in the airfield.  There were a few people looking in the window of the first limo, and we had a feeling Paul was in it.  We were right!  My heart was beating so fast as I walked towards the limo and looking in the window I saw him —Macca!  Linda was sitting next to him, Jojo next to her, and Denny in the opposite seat.  Time stood still as I looked into Paul’s eyes; even in the dark, his eyes are so bright and expressive.  We were all staring at him and smiling and he was smiling at us.  We all say “Hi” and Peggy (the bold one) said “Hi Macca” and told him how great the concert was.  When Linda asked where we were from Peggy said, “New York.”  Paul nodded and said, “Yeah,” like he knows New York!  We all shook hands with Pau, Linda, and Denny.  Paul’s hand is so soft and warm, with a strong grip.  I could’ve held his hand forever!  His bodyguard came over and told us to move and he stood in front of the window to block our view.  So I went around to the other window, and the goon came over and tried to block my view again, but Paul saw I was trying to get a picture of him, and he leaned toward the window and smiled.  What a beautiful picture it is!  Macca had on his nice leather jacket, which he wore throughout the Wings Over America tour.  The limos drove into the gate, and we looked through the gates watching Paul and the group board the plane.  It was after midnight by then when the plane took off.

We were all so “high” on meeting Macca.  We were up till 4 a.m. talking about him.  Until Wings’ last concert at the Madison Square Garden in New York, I caught glimpses of Paul going between the hotel and the Garden.

 




Practically a whole year passed before seeing him again – on Saturday, April 30, 1977!  I got to the Stanhope Hotel early in the morning – around 10 a.m. and met some of my friends from “The Harrison Alliance” who were already there.  There were about 10 people hanging around, quite a relief compared to last year’s 50 or more people hanging around the hotel during the concerts.  The doorman was very nice to us, said Paul would be out in about 15 minutes.  We all got our cameras and things we had for him to autograph ready.  I started to get those nervous butterflies in my stomach feeling.  Karen came running down the block to the hotel; she was so excited when I told her Macca is really in the hotel.  Suddenly Mary and Stella appeared then ran back into the hotel.  Then Linda, Heather, Mary, Stella, and Paul came out.  20 people appeared from nowhere.  Then the next five minutes happened so fast; some obnoxious girls pushed everyone out of the way to kiss Paul and get his autograph.  Paul had an annoyed, surprised look on his face when the girl kissed him, but he smiled and said “hi” to the other fans.  It was impossible for me to get near him.  The crowd seemed to carry him off.  Linda was standing alone, so I went to her and asked her for her autograph.  She said “Sure” and signed.  I could see she was pregnant even though she held her coat in front of her.  She pushed through the crowd to the waiting limo and got in.  Paul had to tell some eager beaver fans to let him get the kids in the car before signing for them.  They kept pushing closer to him, so he got in the limo, and I got up close to the window and waved. He waved back, and the limo took off.  I took two pictures, but unfortunately, they came out dark.  Luckily, Karen’s photos came out beautifully!  He looked gorgeous that day, with a short-waisted length jacket showing off his beautiful buns!  And those eyes – for the second time, he’s looked at me with those eyes!  I hope there will be many more times that I can look into those eyes.

 

 

Thursday, September 29, 2022

Lennon, the Mobster and the lawyer - a book review

 





January 22, 1976 - having lunch at Sloppy Louie's seafood restaurant with Howard Roy, Harold Seider, Yoko, and Jay Bergen (author of this book). Photo By Bob Gruen.



 
It is Wednesday Review!  And tonight's review is a book I bought directly from one of John Lennon's lawyers, Jay Bergen, at the Fest for Beatle Fans this past August.   ,

I am always on the lookout for what I deem the "best Beatles book of the year," and Lennon, The Mobster and the Lawyer might be that book.   It tells the story behind John's lawsuit in 1976 with Morris Levy over Levy's "Roots" albums vs. John's Rock n Roll album. 


If you are a John Lennon fan, then I am sure you are familiar with the story.  John had recorded what was to be his "Rock n Roll" album in part because he owed Morris Levy three songs from the catalog of music he owned as an agreement made due to John's song "Come Together" sounding too similar to "You Can't Catch Me."    This wasn't a punishment for John because he loved to sing 1950s rock n roll and wanted to make an oldies album.  

He started making the album in L.A. with Phil Spector, and then Phil ran off with the tapes, and John didn't know where they were.  So he recorded and put out the "Walls and Bridges" album, and the "Rock n Roll" tapes returned to him.   John listened to them and realized that some of the tracks were bad.   Lots of drunk/high musicians all performing in different keys.   Some of the tracks were alright and just needed the typical cleaning up, but others needed to be re-recorded or removed altogether.  Morris Levy was pestering John about wanting to hear the tapes he had made with Spector.  He would not drop it, and John being who he was, finally gave in and handed the tapes over to Levy.   These were not rough tapes and were not meant for public listening.   Well, Levy took those and made his own John Lennon album, Roots, and sold it on TV through one of those cheesy commercials (Hear John Lennon sing all of the old rock n roll hits including  Peggy Sue, Angel Baby....but wait, there, is more!  Hear, him sing You Can't Catch Me and many more if you just call now!)   He slapped a terrible photo of John from the 1968 Rock n Roll Circus on the cover, and as you can guess, John fans were calling the number and ordering the album.  I mean -- wouldn't you?   If a brand new John Lennon album came out and the only way you could get it was through the telephone, I am sure you would have ordered it too.  I don't think at that time I would have really thought about what record company was putting it out.  I just would want to hear the music. 




There was a lot of confusion with the fans, and John had to rush and get the REAL Rock n Roll album released.   Obviously, what Levy did was completely illegal.  You can't just take tapes that someone gives you and make an album from that and sell them on TV without the record company and the artist's permission.   John didn't work like that.  He was into putting together the whole album package, and the Roots album was an embarrassment to him. 

That is where this book picks up.   The legal case against Morris Levy and told by his lawyer in the case, Jay Bergen.    And while I have always known the outcome of the case (spoiler alert -  John totally wins!), I did not know the ins and out because Bergan had never really told the story before. 

The book is SO much more than just the story of this case.   Bergan uses the actual court transcripts to tell the story, and you get to read John's exact words where he tells the judge precisely how he makes an album.   I don't know any other place where you get to learn from John the process he used to produce albums and how much he put into each project.   He also explains why he chose each song on the Rock n Roll album.   They weren't just random 1950's rock n roll numbers that he liked, but he put some profound thought into recording the songs on that album and told the judge his reasoning.   His reason for including Bony Maronie put a lump in my throat.   Rock n Roll has always been one of my favorite John albums, so this really was cool.   He also talks about his ideas for promoting the album, including what would have been a fun commercial that included Ringo and Harry.  He couldn't make the commercial or do most of the promoting that he wanted to do because of Roots and having to rush to get the real album produced.  

The chapters of the book are short, and the story moves quickly.   It isn't bogged down with legal jargon and is a fun book to read.  

I only had a couple of issues with the book, and neither one was a huge deal.  The first was when Bergan tells the story without quoting from the transcript, such as when he is meeting with John in the Dakota or having lunch with John and Yoko at Sloppy Louie's, he quotes what John and others said.  Does he really remember the exact words of the conversations they were having 40-something years ago?   I wasn't sure if he had kept a journal and written down exactly what John said or if he was going by memory, recalling the conversation, and guessing the exact wording.   Again --  not a huge deal, but something that stood out. 

Julian, Morris, and Adam outside of the Emporium on Main Street U.S.A. at Walt Disney World 1974


The other thing is something that Bergen might not have quite known the answer to himself.   If John disliked Morris Levy so much, why did he, May, Julian, Morris, and Morris's son, Adam, all go to Disney World together at the end of 1974?   Was it just because they both had sons the same age?   The book explained that John refused to talk "business" with Levy during the trip, but I still don't understand why John would want to go on a trip with him in the first place.   Really, all I can think is that he must have wanted Julian to have someone his own age to hang around while in Florida.  Because of that trip, I was under the impression that they were all really good friends until Morris did the Roots thing, and then the friendship ended, but they were never friends.   I just find it confusing. 

I highly recommend this book to anyone who considers themselves a fan of John Lennon and his music.  You don't just learn about an interesting court case where John was the star witness.  You also get to learn about how John made his albums, his thought process, and what a great guy he was.  You don't want to miss out on this great book!


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Tuesday, August 16, 2022

"So You're the One!"





 So You're the One! 

By Patti Murawski

The Harrison Alliance

Oct/Nov/Dec/Jan 1976-1977

 

It was one of those rare times in my life filled with positive energies and everything seemed to be going right.  Even the weather, mild for mid-November, seemed to be indicative that something was indeed cooking in the cosmos.

I found myself full of energy and unusually happy for no reason at all.  It all seemed strange; stranger still, I kept having visions of the Dark Horse LP cover during my weekly hatha yoga class, when I was trying to direct my consciousness to relaxing my muscles.

Upon returning from yoga class, I found a note that my good friend Zig had called; he wanted me to call back immediately as the matter was urgent.  Jann and I agreed that something very important must have come up if Zip left a message like that, but little did we know….

When Zig answered the phone, he told me to grab a pencil and paper to copy down a phone number; it was a Boston number.  I was puzzled; “What, why, what is going on?”

“George is in Boston!” I was thunderstruck.  “Blue saw him, he’s doing a press party there, right now.”  Jennie, looking at the expression of disbelief frozen into my face, tugged at my sleeve insistently whispering “what, what is it?!?!”  “Blue saw George in Boston” I managed to gasp; Jenn’s eyes opened wide in disbelief.

“Call the number, ask for Blue.  It’s a phone outside the party.”  Zip said, “at the Copley Plaza.”  Quickly I hung up and we tried repeatedly to call the number until we finally reached our friend, Blue.  She was so filled with excitement that she could hardly tell us what was going on.  What we found was that George was on a promo tour and tonight’s stop was Boston.  Blue was at a phone right outside the room where the party was being held.  George was due to come out soon, so she had to go.

Several short phone calls later, past midnight now, we learned that George was leaving for Washington in the morning.  Tempy figured that he would leave around the time she had seen him leave Chicago, between 9 and 11 am.  Jennie was talking to Blue and Tempy when she suddenly stopped and asked me, “Do you want to go to Boston tonight?”  I asked her if she was kidding; she knew how I felt, one of my best friends had just seen George, and George himself was only a 2 ½ to 3-hour drive away.  She was willing to call in sick to work.

We were on the road at 1:30am and believe me, the Massachusetts turnpike is really spooky at night  There’s not lights on the pike, and we saw maybe ten cars and trucks the whole 100 miles to Boston.  We played the radio loud and opened the windows to let the cold night air in so that we’d stay awake.  We kept assuring ourselves we would see him and prayed that we would.

We were bound for Tempy’s apartment, so we had to get off the expressway at Copley Square.  I looked up at all of the Plaza’s six floors and supposed George was up there asleep; it was maddening to know there was only a few feet of stone and a few hours between us.  By the time we found a parking space on Beacon Street and dragged ourselves upstairs to Tempy’s apartment, it was nearly 4 AM.  After warming up with cups of tea and getting the details about the party and some other trivial conversation.  We decided to try to sleep for a few hours.  We got up at 7:30 to get ready and were soon on our trek to the Plaza.  We stopped at a donut shop for breakfast but hurried, fearing George would leave for the airport sooner than expected.

Tempy, Blue, Jenn, and I invaded the lobby and took strategic seats so that we had both sets of elevators covered.  Like the Plaza in NYC, the Copley Plaza has three exits on different sides of the building; however, the Lord’s grace was on us because at two of the exits renovative work was in progress.  There was only one exit George could use.  We smiled and sat patiently while the bell captain sneered at us from behind his desk and the housemen came through to check how many of us had infiltrated.  There were us four plus an acquaintance of Tempy’s, Tina.

A Warners honcho walked in and went upstairs.  I couldn’t miss the promo sticks on his briefcase of just about every artist on W/E/A.  Then, two Warners people came downstairs to the front desk.  One of them was the one that had just gone upstairs.  Jenn and I decided to take a walk past them and outside scan the street for limos.  Nothing.

Shortly after, Josephine, a middle-aged woman on the tour who coordinated the schedules, came down to the desk and then went to speak to the bell captain.  A garment bag and some cloth luggage soon arrived at the bell captain’s desk.  Tempy recognized it as some of the entourage’s luggage.  Jennie and I volunteered to check for limos again.  We walked past Jo into the tiny foyer and out the door; sitting there, lined p from the corner t the hotel door where four Fleetwoods with matching drivers and a plainclothes cop.  We stayed outside for a few minutes, then went in to alert the others with a quiet “it’s time to go outside.”  We got up and walked out to the street.  Tempy took one look at the limos and said, “this is it” but, she added, we would have to wait until the luggage was packed into the cars.

It was mild and sunny out; everyone began to light readings and adjust their cameras.  We tried to think of some way to get George’s attention to stop him for a few minutes.  Since I was the only one without a camera, I was elected to “run interference” so to speak.  The night before I’d grabbed two copies of the picture that ran in Billboard of George and Mo Ostin, thinking that if he was in the mood, maybe he’d sign for someone, and then I could get in on it too; but, I didn’t want to be the one to ask, since he’d been noted for an aversion in that respect.  However, it seemed that for me to ask would be the only way to stall him somewhat, so I mustered up all my courage and agreed.  I told the others I didn’t want to ask, but Tempy and Blue assured me he was in a great state of mind and that he had signed for countless people last night at the party, so one more person asking wouldn’t hurt.

As it happened, I was also wearing a Friar Park Studios t-shirt exactly like the ones I sent him last fall.  Since it was warm, I could wear my coat open, creating the perfect opportunity for him to notice; everyone kept saying the shirt would get his attention and perhaps stall him, but I kept saying, “What if he doesn’t notice?”

I began to get a case of nerves as the parade of luggage started out the door.  Assorted suitcases, cardboard boxes, and garment bags were quickly packed into the cars; the last item in line was George’s acoustic guitar packed in a blue travel case.  It was carefully taken into the back seat of one of the lead cars.


This is the picture of the November 13, 1976 ad from Billboard Magazine that she had Mo and George sign


Warners people began to filter out and find places in the car.  Mo Ostin came out the door and remembering that George had gotten a kick out of someone who had Mo sign the Billboard ad too, the night before, I slowly started over to him.  Tempy whispered, “Get Mo’s.”  I called to him as he passed me.  “Would you mind signing?”  I asked.  He chuckled at the picture as he took the pen from me.  “Let’s see if I can do this.” He began as he signed one.  He started to hand the pen back to me, then realized there was another to he signed.  He signed both of them on the note bad on the desk in the picture.  “Thank You,” I said as he gave me back the pen; “Thank you,” he said enthusiastically as he took a step towards the car, smiling.  He had put me totally at ease.

Some of my nervousness had melted away with the encounter with Mo, but I still felt a bit apprehensive about George.  More Warners people walked out, along with James Montgomery, the Blues artist.  Jo came out next; she silently walked past us.  As she was getting into the car the plainclothes cop asked her if it was alright to take photos and I heard Jo tell the cop, “It should be about five minutes.”

My eyes were glued to the door; no sooner had she said that when some Warners people came though the foyer door; through the glass I could see right behind them a fellow with a mass of long dark wavy hair wearing a grey and brown plaid cap, his head down as he started through the foyer door.  I was momentarily stunned.

‘Here he comes” I said quietly, now feeling totally at ease.  He came through the foyer door.  “There he is” Blue said excitedly.  He hesitated at the outer door.  George stood behind the glass for a split second, panning the five of us and the car; as he started out, his head came peeking around the glass first.  Everyone greeted him with a “hi” or “hello George” and cheery smiles; he smiled and said “ello” as he hesitated.  He started walking slowly down and across the sidewalk to the car.  I slowly approached him; as I took my first step /I noticed he had a yellow travel bag in one hand and a lit cigarette and his bicentennial sunglasses in the other.  I thought, “Oh, he won’t want to sign, he’s got his hands full.”

My first question was, “George do you got a minute?”  He looked at me and said, “Sure!”  “Would you mind signing?” I said gesturing with the ads and the already uncapped pen.

He stopped and put the bag down; a Warners person scooped it up.  I don’t know where the cigarette and sunglasses disappeared to.  I held the ads from underneath with one hand, and stepped closer to him; his left hand went under the ad to support it too.  He reached over to take the pen from me, grabbed a few of my fingers, and managing to place a blue ink streak across one of my fingers.  As he took the pen from me he noticed Mo had signed the ad.  He pointed to Mo’s signature; “Oh, you had Mo sign!” he said gleefully with a smile on his face, then added with much enthusiasm, respect, and affection, “Mo, he’s so GREAT!”  “Yeah!” I said agreeing as I watched him signing the ad across the belly in the picture.  I was searching my mind for something else to say and was about to say something about WB when Jenn spoke up.  She had realized George wasn’t noticing the FPS t-shirt.  “George…” she began.  He looked up at her; she gestured toward me and said, “Patti’s the one who sent you the shirts.”  He leaned over to see my shirt, then looked down at the ad for a moment.  He began to pick his head up and turn towards me.  I thought, “Oh no.  I can’t look….” Knowing he was going to look me in the eye, but I just had to!  His head came up and he looked me straight in my eyes with his intense dark eyes and said sweetly, “Oh, so you’re the one who sent them!”  “Yeah,” I said quietly.  He glanced down as he finished signing the first ad and looked up at me again, “Did you get the note I sent?” (referring to the postcard he sent me last year).  “Yeah!  Thanks!” I said, but at the same time he also said “thanks.”  He sort of leaned over to look at the shirt again and exclaimed, “I don’t know why nobody else noticed it.”

I asked him to sign the second ad for Jennie; he said, “Sure.”  I could hear all the cameras snapping away.  I noticed his hair was longer than the ad picture which had been photographed just weeks before.  He needed a shave.  Jenn and I both noticed that his hair and eyes are a beautiful matching deep brown.  He was wearing a green jacket styled after an army field jacket; on the left shoulder was a patch for the World Wildlife Fund with a Panda picture on it.  Under the jacket, he was wearing a sweater similar to the one he wore in the Billboard ad (not the same one though, it was of different colors) and a t-shirt.  He was wearing washed-out light blue jeans and his belt bore the familiar Dark Horse belt buckle.

 

As he was signing for Jenn he gestured with the pen and glanced up at me asking, “Where did you get these?” meaning the pictures from the ad.  “From Billboard” I answered.  “Oh, you bought Billboard!”  he said rather cutely as if to really say, “You don’t usually buy Billboard, but I know why you bought Billboard because Mo and I are in it!”  Tina asked him to sign an “All Things Must Pass” music book as he said the thing about Billboard.  He had a huge smile on his face as he finished signing for us.

He took a step to the side and raised his hand as if to wave “Well, I’ll see ya,” he said as he started for the car.  Everyone said goodbye and thanks; as he walked away from me, I said, “Enjoy your trip, George!” He glanced over his shoulder and called “Thanks!”

He walked to the car; it was funny how he climbed in.  He bent forward at the waist, his head going into the car fist; his legs and bum followed as he literally climbed into the car and sat down in the middle of the back seat.

Tempy, Blue, and Tina started to walk toward the square up the block.  “Well, what do you want to do now?”  I noticed the cars weren’t moving because the light was red and the cars were parked from the corner to the door.  I took a few steps up the walk where I could see George in the car, and strained to look through the glare on the window.  “Let’s wave,” I said, waving, gesturing to the others that the car wasn’t moving.  George leaned over and waved back.  The car moved a bit, then stopped.  George was watching, Jenn and I watched him; he began to talk to the person on his right.  You could tell he was talking about us as he would glance back and forth from the person to the window; he was smiling at us, then pointed to us, and turned to talk.  Jim Montgomery moved up in his seat and looked out the window; George leaned over further so that he could see us too.  I leaned over towards Jenn and said, “They’re talking about us…”  Then I started realizing why and laughed, “They’re talking about the shirt!”  I Was wearing a double-breasted coat and the flap on the front had closed over the Friar Park Studios shirt.  Deadpan, I reach over and pull the right side of my coat all the way open.  George began to laugh and pointed excitedly to me, shaking his finger to emphasize the fact that Jim should look now to see the FPS shirt.  Jim appeared in the window again to see what George was so excited about.  Jenn and I were standing n the sidewalk smiling; he was so cute, like a little kid!  He was getting a kick out of us getting a kick out of his reaction.  It felt good to make him laugh.

The car made move to pull away; George waved goodbye.  We waved back.  The car stopped for a second; the light turned green and as the car pulled away, he was smiling and waving goodbye to us once again; we waved goodbye for the last time.  The car pulled into traffic and down to the red light in the next block; the last thing I remembered as the light turned green was seeing his brown and grey cap bobbing the back window as he settled into the seat for the drive to the airport.

 

 

Wednesday, August 10, 2022

Live From New York - It's Saturday Night!





  

Liver From New York - It's Saturday Night!

By Madeleine Schatz

The Harrison Alliance

October/November/December/January 1976-77

 

On Wednesday night (November 17, 1976) Patti and Jennie called to tell me that George would be taping the “Saturday Night” segment on Thursday the 18th.  Thursday morning after I got to New York I started calling different people and places who I hoped could give me information about the taping, press party, etc.  I wasn’t getting much of anywhere and eventually went to the Hotel Carlyle, where George was staying.  Some people I knew were waiting in their car and asked if I wanted to wait with them, so I got in the car and we waited together.  While waiting, we got out and talked to the chauffeur, but he wouldn’t/couldn’t say who he was driving.  After a while, it became apparent he was driving George though.

After waiting a while, we saw some people leaving the hotel with 33 & 1/3 t-shirts and other promo stuff.  Then around 4:30, we saw George coming out.  Olivia was with him, as well as some other people.  We got out of the car and went over to George.  Someone asked him “do you mind if we take pictures?” and he didn’t mind, so we were taking pictures and people were asking him stuff.  Someone asked for an autograph, but then seeing he was carrying a lot of stuff (including a pair of shoes) and had no hands free to sign, she said, “Oh I guess you could do it another time.”  He was really nice, sort of quiet and shy like he usually is.  He was slowly getting into the car and asking Olivia where she wanted to sit – “we’ll sit in the back” and “we’ll sit in the front” sort of thing, like in Yellow Submarine.  They eventually sat in the back of the car then left.

Our car was facing the wrong way on the other corner, so we had to go all the way round the block to go downtown to follow the limo.  By the time we got to NBC, they were already inside.  We parked there for a while but then figured the best bet would be to go back to the hotel as we figured we’d never get into the taping.  There were a million entrances and an underground garage, and someone inside had told us we’d never have a chance of getting in, that it was for invited guests only.  Before going back to the hotel, we went out to eat.  A little while after we got back to the hotel, the limo came back to pick up some more people to go to the taping.  We talked to the chauffer again, who once again couldn’t tell us anything definite, and then said, “Did you ever think of following limousines?”  We took that as a hint to follow him when left, so we pulled the car so that it was facing the same direction as the limo and waited.  As the limo left, we followed it all the way to NBC, really close.  We managed to park our car fairly near the limo.  Someone in the car had to go inside to make a phone call and while she was inside, NBC people in there were saying there were free standby tickets to see George Harrison.

There were about 25 people there and we joined them.  Everyone was pushing and shoving.  We were all worried about keeping our place on line, as we weren’t guaranteed in, only if there was enough room.  Finally, they said there was room for everyone, and we were let in.  This was around 7:00, and the taping was to begin at 8:00.  The rest of the time they’d been setting up/rehearsing.

We were shown seats in the balcony (last row), but the place was so small it was really good.  Paul Simon was closer to us than George, but George was facing in our direction, so we could see him really well.  We were told that they’d be taping “Here comes the Sun,” “Homeward Bound” and “Bye Bye Love” and that our main problem as an audience was going to be keeping it fresh, applauding each time as though it were the first time.  Of course, that was no trouble for us since everybody was so freaked out that we’d gotten in.  In our section there were mainly Beatle/George fans so we were kinda wild – we were really into it.  The announcer came on and explained what was going to happen, what songs, etc.

Then George and Paul came onstage and sat on high stools with their guitars.  While they were getting settled, George as asking if it would be okay to move the mike out just a bit because the guitar was hitting it.  He said it sort of quietly and slowly and he was trying to move the mike a bit.  Then Paul said could they move the mike because George’s guitar was hitting it, and someone moved it a little, then they went on with getting ready to tape.  It reminded me of “Let it Be” the part when George got the shock from the microphone.  It was such a funny feeling and I said, “Isn’t it a lot like ‘Let it Be?’” She agreed.

When they were ready to start, Paul had to introduce George – “My friend, George Harrison.”  There was an applause sign which came on at the appropriate time but we didn’t even have to look at it, we just applauded naturally.  (In the end, they weren’t even using it, because we applauded twice as much as they need us to!)  Some people in our section were clapping to the music but were told not to do that; it was so difficult no to because it was such a natural reaction to the music.   George and Paul went through the three songs with no mistakes, but then were going to do it again and after that, they never got through it without a mistake.  They’d do the first song and then would make a mistake in the 2nd one and have to start over again.  They went through mainly the first two songs – I think they only did “Bye Bye Love” twice.  There were cue cards for George during “Homeward Bound” and when it came to the line about “the movies and the factories,” one time he forgot to sing “movies” and made this funny “woops” noise and then said, “You’ll have to put a red line under ‘movies.’”  (Later we sat in a different place and we could see that there was a red line under ‘movies.’)

The best part was the mistakes and the in-between parts.  In between, they had to adjust the cameras.  They asked for requests from the audience and people were calling out all different George songs.  He did a bit of “Dark Horse” and a bit of “She Said She Said,” and even a bit of “Yesterday!”  He did “Rock Island Line” as well – all the way through, with everyone clapping along and having a great time.  Then it was time to start again, and they kept going through the same songs over and over; one of them giggled or played a wrong note or something, and they would have to start over again with Paul saying, “My friend, George Harrison.”  Each time they made a mistake they had to start to form the very beginning.  It got really funny.  We had to applaud each time; the producers of the show were worried about everyone keeping the applause lively but after a while, it got so funny that we were applauding more than we had been at the beginning.

 After a while, they said there was going to be a break and they were going to show films.  They showed “True Love,” “Crackerbox Palace” and “This Song.”  After that they showed little bits on the monitors of what they had just taped, but after a while turned the sound off.  It was quite a long break; some people thought the taping was over and left.  When they were ready to start again, they wanted the audience to move closer together to fill in spaces left by the people who’d gone, so everyone in our section was moved.  We ended up downstairs on the floor – only a few yards away from George but behind him, so we had a great view of his back.  We could see the front view on the monitors, though so it was okay.  we were quite close.  They were warming up and joking around, and George said something about “So where’s the $750 then?”  (his share of the offer to the Beatles)

They said they’d go through the two songs and after that, Paul would do the introduction to the films George had brought.  They went through that over and over.  By this time George looked like, “Oh, we have to do this song again…”  A guy came to powder their faces a couple times.  Eventually, they got everything right but ended up having to do one more “just in case something happens, so we’ll have another one.”  When it was over, Paul and George went to a backstage area.  We weren’t supposed to go that way but quite a few of us did, and we were just standing there.  George walked back and forth a couple times, then went into a room and closed the door.  We were kind of just waiting around, but eventually, some ushers came and very rudely escorted us out via another route.

We went outside and waited. We waited in the car for a while, then went inside and waited in the lobby for a while, went back out – we weren’t sure which exit George would be using, the 49th street or the 50th street one.  When there was no one else around, the doorman told us it would be the 49th street and we cut through the building to that exit.  We waited and waited and finally, George came out, surrounded by NBC people saying things like “clear the way,” “move over, he’s tired,” “let him through.” People were trying to ask him questions, tell him they liked the show, take pictures, as he was going out to the car.  Someone shouted “long live the Rutles” but I don’t know if he heard it or not.  He was sitting in the car watching everyone for a while, then as the car pulled away he waved to everyone out the back window.

By this time, it was quite late (about 11:30) and we had to work the next day, and also figured we couldn’t make it back to the Carlyle before the limo, so we got ready to head for home.

I remember we were saying we all had to be sure and give thanks the following week (Thanksgiving Day).  We had been so sure we’d never get in; we just couldn’t believe we were actually in there.  It was a funny feeling.  We kept saying, “It’s so hard to believe George Harrison was sitting there.”  I’ll be floating for a while!