I spotted this book in a little book shop I stumbled upon when my mom and I were going to the Denny Laine concert. I had never heard of this book, but the bookstore staff recommended it. After picking it up and flipping through it, I thought it sounded like a different book than what I typically read and review, and I was right.
Fire and Rain isn't a "Beatles book" per se, although there is plenty of Beatles content. It is a book about the pivotal year, 1970, from the outlook of four major recording artists from that year: The Beatles, Simon & Garfunkel, James Taylor and Crosby Stills, Nash and Young. What was fascinating in reading this book is that while all four of these performers were different, their lives were intertwined in one way or another during the year.
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| George Harrison and Steven Still worked on Ringo's song "You Got to pay your dues" (later called It Don't come easy) |
As for the Beatles--it goes into the details of the break up in April of 1970, Paul's announcement through his McCartney album, Ringo recording his country album in Nashville, Let it Be, Allen Klein, Phil Spector, George recording All Things Must Pass, and there is even a mention of the Apple Scruffs! But the part that I liked the most was about John and Yoko and the primal scream therapy that was an important part of 1970 for them. It said how John and Yoko had gotten off heroin, which John had been using to mask the pain that he had over the many losses in his life, especially his mother's death and his father's abandonment. To help come to terms with his issues, he and Yoko hired Janov to come to England and work with them for several weeks. Then, he and Yoko went to California to continue to study under him. They were permitted special visas to come to the United States for health reasons. Janov said that they participated in group therapy as well as individual therapy. Janov went on to say that John did not really get into the screaming as much as he just needed to talk about his parents, Brian's death, and the break up of the Beatles. I found that totally fascinating because I always thought John went to California and screamed his heart out. No, sounded more like just your basic counseling sessions. Yoko met with Janov's wife and she talked mostly about marital issues. They almost completed the entire session but left early because they believed that Janov was recording everything that was said. He said that a camera may have been set up during the group sessions, but it never had film in it. Makes me wonder if something WAS recorded.
As for the other groups---well, I had no idea that Simon and Garfunkel weren't really good friends. Those two made great music together, but they really didn't see eye to eye. Paul Simon did not like that their big hit of the year, "Bridge Over Troubled Water," was not recognized as the writer of the song. Garfunkel was getting praise for his singing on the tune. Paul Simon was also frustrated that his partner was focused on his newfound acting career and making movies over singing.
While S&G got along fairly well, Crosby Stills, Nash, and Young were a big mess of a group! Wow---those guys were something else. They would take their disagreements with them on stage and make little snide comments, and at one point, Neil Young got so mad that he walked off in the middle of a concert. Stills went off to England for a while and eventually bought Ringo's house from him. He was hanging out with the "Beatles crowd" and really didn't want to return to the U.S. because he fet like the guys in the States were becoming rock stars while the guys in the U.K. were becoming icons. While he was in London, hanging out with Billy Preston, Preston said something about "if you can't be with the one you love, love the one your with." And Stills asked him if he could use that line for a song.
Meanwhile, James Taylor had left Apple with his manager, Peter Asher, and was recording and playing small venues while battling his inner demons and drug problems. By the year's end, Taylor had become the top performer, which showed a huge change in the dynamic of pop music-- a switch from groups to solo artists.
I thought this was an interesting book. The year 1970 isn't one that I often hear discussed, and there is a lot that went on in the world and in music during those 12 months. Browne did his research and many of what he said in the book were the results of private interviews that he conducted. However, I did find the book to be slow at times, and it was a bit dry. Browne was delivering the facts, but his style did not transform me into the year 1970. I felt like an outsider just reading the news.
I enjoyed the book and learned a lot, but I don't forsee "Fire and Rain" being a book that I pick up and read again soon.
You can buy this book from Amazon for a reasonable price.
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