Showing posts with label Boston. Show all posts
Showing posts with label Boston. Show all posts

Tuesday, June 2, 2026

The Thrill of a Lifetime (written in 1976 about 1964 tour)



 


The Thrill of a Lifetime

By Jack Thomas

The Boston Globe

June 2, 1976


    In every life, there are moments of extraordinary pleasure that we cherish above all others. Those few vivid seconds when life seems perfect, and we are lost in a special memory that not even time can tarnish. The Beatles sang sweetly about such moments. "There are places I remember all my life, though some have changed, some for better, some forever, some are gone, and some remain."

     Paul McCartney's recent visit to Boston recalled such a moment in the life of an Auburndale teenager who was driven to ecstasy 12 years ago when she kissed Paul McCartney. It is still the happiest moment of her life. 

    The city was excited on September 11, 1964, because the Beatles were giving their first concert in Boston. Those were happier days. We were still recovering from the shock of John Kennedy's assassination, but the agony of the Vietnam War, the trauma of the race riots, and the murders of Bobby Kennedy and Martin Luther King were still in the future. 

    Tickets for the concert had long been sold, and dozens of teenage girls had written to the Globe for help in obtaining tickets. The Globe obtained a ticket and signed me to take 14-year-old Debbie Chase to the concert to write about her experience. The Beatles held a press conference early in the evening at the Madison Hotel, and security was exceptionally tight. Indeed, they made a point that teenage girls were to be excluded, but we were able to fast-talk our way into the press conference with the promise that Debbie would stand quietly and inconspicuously at the back of the room.

     That was naive of me. I should have known that the kind of girl who wore her hair long and loose because McCartney liked it that way would never stand quietly and inconspicuously at the back of the room, no matter how sternly I admonished her. Surely enough, midway through the press conference, when I wasn't looking, she stepped over the television cables and headed for the front of the room, where the four Beatles sat behind a table.

     "God", I thought, "we're both going to be thrown out on our ears, and the story will fall apart." But before the security guards could stop her, she was standing in the bright lights between George Harrison and Paul McCartney. Her eyes were wide, her face was flushed, and her hands were shaking.

     McCartney turned, offered his hand graciously, and said, "I'm pleased to meet you." He must have felt the coldness of her hand and realized she was shaking because he touched her arm assuringly and said, "Hey, you'll be all right then." With the television cameras whirling and me scribbling madly in my notebook, she leaned down slowly and kissed him on his right cheek. There were about 40 reporters and photographers in the room, and they watched silently, choosing not to interrupt a tender moment. 

    When she arrived at her seat in Boston Garden, a preliminary rock group was singing. Debbie sat down and screamed as loudly as she could, "I just kissed Paul McCartney!" That threw two sections on the south side of the lower level of Boston Garden into a dither. Dozens of teenage girls yelled, leaped in the air, pounded their chairs, and lunged at Debbie to touch her. It took two plainclothes Boston police officers and a state trooper to restore order. 

    Debbie sent a thank-you letter a few days later. "You have made my fondest dream come true," she wrote, "and I don't know how I will ever be able to repay you. At school on Monday, the kids came up to me and congratulated me, and either shook my hand, so they could say they shook the hand that shook the hand of Paul and George, or they kissed my lips, so they could say they kissed the lips that kissed Paul McCartney. I can hardly stand to hear one of their songs or see a picture of them, because I get this really weird feeling inside, and I almost start crying for no reason at all. "

    The incident happened a long time ago, as the Beatles said, "Yesterday, when all our troubles seemed so far away." Today, Debbie Chase is 26, single, living in Cambridge, happy, in love, and working as a box office manager for a rock music promoter. 

    "How long ago was that?" She asked yesterday. "Wow, 12 years ago. Well, I still love the Beatles, but it's not nearly the way it was. No one could have been more excited than I was that night. I was really shaking. If it happened today, it wouldn't be the same. I had laryngitis from telling that story, over and over.  "You know, that was the happiest moment of my life," she said, "and it probably always will be."

Thursday, May 21, 2026

Giving Audiences What They Want (Boston 1976)



 

Giving Audiences What They Want

By Ernie Stantosuosso

The Boston Globe

May 24, 1976


    Linda McCartney yawned backstage, an obvious indication that the long and winding tour was taking its toll. Husband Paul, however, was relatively ebullient, intermittently puckish, and pleased with the reception given him and Wings by a capacity crowd of 15,509 Saturday night in Boston Garden.

     "There's a thing about being in journalism," he said, "and that is to assume people going to our concerts to hear just Paul McCartney and Beatles songs. However, you find out the day after, the crowd is talking about Wings, Denny, and Jimmy playing, and so on. Denny's the nut who got me to do the Beatles songs on the tour."

        The currently 31 concert, 20-city swing ending June 22 marks the first of any consequence for McCartney in the United States since he last performed with the Beatles in 1966. The left-handed bassist had previously made a handful of sotta voice appearances to try out the Wings. The consequences, it turned out, were disconcerting to local police. 

    "We used to turn up on campuses and ask the officials, 'Do you want us to play?'" Continued McCartney, "But it really proved to be a drawback, and the police would come up to us and point out that it wasn't safe to play to a small group when 20,000 others outside were trying to get in."

     The Wings Over America concert is a collage of Paul's boogie-rock and romantic balladry the latter often indicated as being too treacly. McCartney has incorporated into this format a light show and flashing smoke bombs. Yes, he was aware he wasn't pioneering these extra flourishes, but he wasn't constrained to apologies, either. 

    "The basis of our show," he continued, "was a Led Zeppelin concert we saw in London. So we felt we had to take it to the United States level."

     Paul can be counted as one of the minority who liked the George Harrison concert in December 1974. ("He had to contend with several problems, and he also lost his voice before the tour started.")

     The Wings' chief replying to a question concerning the identities of the first names in the song "Let 'Em In" from the group's latest Capitol album: Wings at the Speed of Sound, confirmed in passing that the long-standing rift between himself and former collaborator John Lennon has been healed.

    "Why 'sister Susie' is what Linda is called in Jamaica," he began. "John is Linda's brother, and I also have a friend John Lennon. Michael is my brother. Don and Phil are the Everly Brothers, and Uncle Ernie is from Tommy."

     Throughout the interview, Linda and Paul were to make frequent sportive references to the interviewer as 'Uncle Ernie'. ("Liza Minnelli's favorite song by me is 'Maybe I'm Amazed'. Get that down Uncle Ernie"). 

     One of the songs performed from the John, Paul, and Ringo era was "Lady Madonna". It was inserted early in the 29 selection show that continued for two and 1/4 hours on Saturday. "It's really the first song of the evening for me," said McCartney. "I'm giving the audience what they want. "

    Aside from the often pallid, pseudo-cryptic lyrics affecting much of Paul's writing, he apparently did give them what they wanted. They screamed for five minutes as Wings tuned up upon the darkened stage, and when McCartney commenced the vocal to the concert overture, "Venus and Mars", the cataclysm erupted anew, lit matches, a few wantonly hurled firecrackers, and the thunderous din of humanity compromised the welcome. Then came the throbbing tempo of "Rock Show" segued into "Jet".  "Let Me Roll It" with its looping stride was enhanced by the catchy riffing of Laine and McCulloch.

     Dedicating the song to his family in the audience, his wife, Joanne, hails from Salem, Denny sang "Spirits of Ancient Egypt", after which McCulloch articulated the caveat of "Medicine Jar." The evening's visual highlight came during "Live and Let Die", punctuated by flashing smoke bombs and fusillades of laser lights that turned the stage into a no-man 's-land. The acoustic set included "Picasso's Last Words", "Richard Cory", and the nostalgia-evoking "Yesterday." The group's latest hit single, " "Silly Love Songs," was included along with McCartney's ricky ticky dedication to Fred Astaire, "You Gave Me the Answer."

     The song list was of marathon length: "Time to Hide", "Beware My Love," "Must Do Something About It (sung by Joe), "Magneto and Titanium Man", "Letting Go," "Band on the Run" and after the crowd had chanted, "We want Paul!" for 10 minutes, the frantically accelerated encore, "Hi, Hi, Hi".

     It was a concert where no one was shortchanged, although the going rate outside for scalped tickets was $20. One could purchase a Wings t-shirt on the sidewalk for $3 before the show. College student Betsy Tormay observed, "Though the Beatles were not as good as Wings, I'd still like to see them get back together."

     As the Garden emptied following the concert, McCartney crystallized the reason his band is appearing in public. "We're in it to keep doing it," he said.

Tuesday, December 10, 2024

A Strained Legend



 George Harrison: A Strained Legend

By Ernie Santosuosso

The Boston Globe

December 11, 1974


    Close to 31,000 yesterday filled Boston Garden in the hope of reviving, partially, at least, a legend. George Harrison, an individual performer since the breakup of the Beatles in 1970, continued his first road tour in eight years with a matinee evening doubleheader. 

    Yesterday, Harrison, now proxy of Dark Horse records, entered the stretch run of his 45 concert seven-week schedule. It was quite obvious at the afternoon show that his voice would have to croak to the finish. Ignoring the strain on George had apparently failed to conserve over the touring grind. He plowed into an even dozen vocal segments, also accompanying Billy Preston and the Ravi Shankar group on guitar on several selections.

     Typical of most Garden-oriented rock shows, Harrison's return was more of a news happening than artistic feet. The chill factor in the Garden evoked memories of Bob Dylan's deep freeze on a January afternoon this year. It may have been merely a coincidence, but the much-revered folk rock singer himself, taking to the road for the first time in many years, delivered his lyrics with a harsh honking bleat. But no matter for most of the capacity turnouts, just being there is his own reward, and the same philosophy held true in the case of the one-time Beatle.

     To honor George's visit  Boston Globe, President Weston Adams Jr reportedly issued an order that any member of his office staff attending the concert must wear jeans. Like a true leader, Westy sported Levi's, and his assistant, Jack Nicholson, was similarly turned out in denim.

     Backstage security was tighter than usual. Sitting in the aisles was summarily discouraged, and the normally adequate troops were reinforced by 10 burley Boston College football players recruited by ex Eagle, Dennis McCreary for local producers, Harvey Weinstein, and Corky Berger.

     Harrison, described as the quiet one of the four Beatles, maintained his unbudging policy of no interviews, except for his Los Angeles press conference and a recent Rolling Stone spread.

 Harrison announced that sitarist Ravi Shankar, just released after a five-day confinement due to exhaustion in a Chicago hospital, would be unable to perform with his family ensemble.

However, Ravi was brought on stage for the purpose of assuring the audience that he wasn't as ill as had been rumored. Said Harrison's colleague of the 1971 concert for Bangladesh, "I'm unfortunately not strong enough to perform tonight. My darling sister-in-law and my beloved George will carry on for me."

     Even without its leader, the 15 person Shankar troupe, plus saxophonist Tom Scott and Harrison on guitar delivered a musically invigorating if somewhat long segment. An intriguing vocal effect, similar to that archived achieved by Francis Swingle singers, was produced on "Naderdan." while "Chatpatay," ("Spicy") presented Ravi's sister-in-law, energetically cajoling the ensemble through a percussive tour de force.

 Midway during the Shankar family set, Harrison gratuitously introduced each player by naming the record of which on paper would have been a Herculean assignment for one not born in India. 

    Keyboard player Billy Preston stole the show from the top-billed star with the playback of his hit "Nothing From Nothing" and "Outta Space", which caused the afternoon crowd to erupt for the first time.

    Harrison's band, an admixture of his own side men and the LA Express, was first rate. These young old pros, besides Preston and Scott, included saxophonist Jim Horne, trumpeter Chuck Finley, who once played in the orchestra of the late Jimmy Dorsey, lead guitarist Robben Ford, Berkelee dropout Andy Newmark on drums, percussionist Emile Richards, bassist Willie Weeks and drummer Jim Keltner.

     Scott helped elevate the far more interesting second half of the program with the demonstration of the Lyricon, a jet age instrument developed and manufactured by Computone of Hanover.

     Harrison's parched vocals were concentrated on "While My Guitar Gently Weeps" and "Something" "Sue Me, Sue You", the lyrical expose of The Beatles dissolution, "Foun Your Blue," "Give Me Love," "Maya Love," "What is Life" and "My Sweet Lord" and his new single, "Dark Horse." 

Tuesday, June 4, 2024

A Day in the Life

 



A Day in the Life

By Sue Savini

With a Little Help From My Friends

January 1980 


On August 18, 1966, I went to my first and only Beatles concert. I was 12 years old and a devoted Beatles fan since they appeared on Ed Sullivan in 1964. When I heard they were coming to Suffolk Downs (a racetrack) in Boston, I went crazy! I live about 30 miles south of Boston, and I knew this would be as close as they would get to my hometown. I pleaded with my mother to take me. She knew how much I wanted to go, but she also knew what Boston is like when you don't know where you're going.  I had hysterics for 3 days while my mother tried to figure out a way to get me there. Then, she read about buses being chartered to the Beatles concert. What a perfect solution! My Aunt Cappy volunteered to take me, so about 5:00pm on August 18, we were off!

I don't remember much about the trip in or finding our seats - I guess I had my mind only on the Beatles. The show started at 8:00pm, but the Beatles didn't come on until 10:00pm. Fill-in groups tried to keep the audience occupied, but it was no use. Finally, a black limousine drove onto the track about 9:30pm, and everyone knew it was the Beatles! The crowd screamed and screamed, but I just stood there, staring at the car in shock. I couldn't believe the Beatles were actually that close to me. The car drove into the middle of the field and behind a portable partition. The excitement in the air was overpowering. No one could sit or stand still. 

At 9:55pm, the Beatles came from behind the partition and walked through the field to the wooden stage, carrying their guitars, smiling, and waving to the screaming crowd. I had my oldest brother's high-intensity binoculars so I could see their faces and expressions, even though we were pretty far back. They looked gorgeous! It was like a dream come true. I kept thinking that I was breathing the same air as Paul!

They reached the stage, climbed up the side stairs, and began to play. The first song was "Twist & Shout." John became so horse singing that song that he could hardly speak afterwards! Some other numbers they did were "If I Needed Someone" and "Yesterday." During the show, a 6-foot-tall teenage boy somehow got on the stage and chased the Beatles around, touching each one of them. The Beatles were so cute trying to run, playing their guitars, and singing all at the same time!  The boy was thrown off the stage and escorted out of the concert.  I bet it was worth it, though.

After their last song, they took their bows and then ran down the stairs, jumped into the waiting limousine, and left the track. They got off the stage and out so quickly that everyone was stunned. We all hollered for more but finally realized they were not coming back. 

The entire performance was 20 minutes long. It was short, but you have to realize they were doing one-night stands that summer, and they had to travel to another city that night. All in all, it was the most exciting 20 minutes I've ever had, and I'll never forget it. 

I'm still an incurable Beatles fan (especially Paul). In fact, in October, I went to the 2nd Annual Beatles Convention in New Haven, Conn.  It was super! I don't think I will ever get over the Beatles. Either does my husband! And, of course, our 2 young children are being brought up as avid Beatles fans, and they're loving it!




Tuesday, August 16, 2022

"So You're the One!"





 So You're the One! 

By Patti Murawski

The Harrison Alliance

Oct/Nov/Dec/Jan 1976-1977

 

It was one of those rare times in my life filled with positive energies and everything seemed to be going right.  Even the weather, mild for mid-November, seemed to be indicative that something was indeed cooking in the cosmos.

I found myself full of energy and unusually happy for no reason at all.  It all seemed strange; stranger still, I kept having visions of the Dark Horse LP cover during my weekly hatha yoga class, when I was trying to direct my consciousness to relaxing my muscles.

Upon returning from yoga class, I found a note that my good friend Zig had called; he wanted me to call back immediately as the matter was urgent.  Jann and I agreed that something very important must have come up if Zip left a message like that, but little did we know….

When Zig answered the phone, he told me to grab a pencil and paper to copy down a phone number; it was a Boston number.  I was puzzled; “What, why, what is going on?”

“George is in Boston!” I was thunderstruck.  “Blue saw him, he’s doing a press party there, right now.”  Jennie, looking at the expression of disbelief frozen into my face, tugged at my sleeve insistently whispering “what, what is it?!?!”  “Blue saw George in Boston” I managed to gasp; Jenn’s eyes opened wide in disbelief.

“Call the number, ask for Blue.  It’s a phone outside the party.”  Zip said, “at the Copley Plaza.”  Quickly I hung up and we tried repeatedly to call the number until we finally reached our friend, Blue.  She was so filled with excitement that she could hardly tell us what was going on.  What we found was that George was on a promo tour and tonight’s stop was Boston.  Blue was at a phone right outside the room where the party was being held.  George was due to come out soon, so she had to go.

Several short phone calls later, past midnight now, we learned that George was leaving for Washington in the morning.  Tempy figured that he would leave around the time she had seen him leave Chicago, between 9 and 11 am.  Jennie was talking to Blue and Tempy when she suddenly stopped and asked me, “Do you want to go to Boston tonight?”  I asked her if she was kidding; she knew how I felt, one of my best friends had just seen George, and George himself was only a 2 ½ to 3-hour drive away.  She was willing to call in sick to work.

We were on the road at 1:30am and believe me, the Massachusetts turnpike is really spooky at night  There’s not lights on the pike, and we saw maybe ten cars and trucks the whole 100 miles to Boston.  We played the radio loud and opened the windows to let the cold night air in so that we’d stay awake.  We kept assuring ourselves we would see him and prayed that we would.

We were bound for Tempy’s apartment, so we had to get off the expressway at Copley Square.  I looked up at all of the Plaza’s six floors and supposed George was up there asleep; it was maddening to know there was only a few feet of stone and a few hours between us.  By the time we found a parking space on Beacon Street and dragged ourselves upstairs to Tempy’s apartment, it was nearly 4 AM.  After warming up with cups of tea and getting the details about the party and some other trivial conversation.  We decided to try to sleep for a few hours.  We got up at 7:30 to get ready and were soon on our trek to the Plaza.  We stopped at a donut shop for breakfast but hurried, fearing George would leave for the airport sooner than expected.

Tempy, Blue, Jenn, and I invaded the lobby and took strategic seats so that we had both sets of elevators covered.  Like the Plaza in NYC, the Copley Plaza has three exits on different sides of the building; however, the Lord’s grace was on us because at two of the exits renovative work was in progress.  There was only one exit George could use.  We smiled and sat patiently while the bell captain sneered at us from behind his desk and the housemen came through to check how many of us had infiltrated.  There were us four plus an acquaintance of Tempy’s, Tina.

A Warners honcho walked in and went upstairs.  I couldn’t miss the promo sticks on his briefcase of just about every artist on W/E/A.  Then, two Warners people came downstairs to the front desk.  One of them was the one that had just gone upstairs.  Jenn and I decided to take a walk past them and outside scan the street for limos.  Nothing.

Shortly after, Josephine, a middle-aged woman on the tour who coordinated the schedules, came down to the desk and then went to speak to the bell captain.  A garment bag and some cloth luggage soon arrived at the bell captain’s desk.  Tempy recognized it as some of the entourage’s luggage.  Jennie and I volunteered to check for limos again.  We walked past Jo into the tiny foyer and out the door; sitting there, lined p from the corner t the hotel door where four Fleetwoods with matching drivers and a plainclothes cop.  We stayed outside for a few minutes, then went in to alert the others with a quiet “it’s time to go outside.”  We got up and walked out to the street.  Tempy took one look at the limos and said, “this is it” but, she added, we would have to wait until the luggage was packed into the cars.

It was mild and sunny out; everyone began to light readings and adjust their cameras.  We tried to think of some way to get George’s attention to stop him for a few minutes.  Since I was the only one without a camera, I was elected to “run interference” so to speak.  The night before I’d grabbed two copies of the picture that ran in Billboard of George and Mo Ostin, thinking that if he was in the mood, maybe he’d sign for someone, and then I could get in on it too; but, I didn’t want to be the one to ask, since he’d been noted for an aversion in that respect.  However, it seemed that for me to ask would be the only way to stall him somewhat, so I mustered up all my courage and agreed.  I told the others I didn’t want to ask, but Tempy and Blue assured me he was in a great state of mind and that he had signed for countless people last night at the party, so one more person asking wouldn’t hurt.

As it happened, I was also wearing a Friar Park Studios t-shirt exactly like the ones I sent him last fall.  Since it was warm, I could wear my coat open, creating the perfect opportunity for him to notice; everyone kept saying the shirt would get his attention and perhaps stall him, but I kept saying, “What if he doesn’t notice?”

I began to get a case of nerves as the parade of luggage started out the door.  Assorted suitcases, cardboard boxes, and garment bags were quickly packed into the cars; the last item in line was George’s acoustic guitar packed in a blue travel case.  It was carefully taken into the back seat of one of the lead cars.


This is the picture of the November 13, 1976 ad from Billboard Magazine that she had Mo and George sign


Warners people began to filter out and find places in the car.  Mo Ostin came out the door and remembering that George had gotten a kick out of someone who had Mo sign the Billboard ad too, the night before, I slowly started over to him.  Tempy whispered, “Get Mo’s.”  I called to him as he passed me.  “Would you mind signing?”  I asked.  He chuckled at the picture as he took the pen from me.  “Let’s see if I can do this.” He began as he signed one.  He started to hand the pen back to me, then realized there was another to he signed.  He signed both of them on the note bad on the desk in the picture.  “Thank You,” I said as he gave me back the pen; “Thank you,” he said enthusiastically as he took a step towards the car, smiling.  He had put me totally at ease.

Some of my nervousness had melted away with the encounter with Mo, but I still felt a bit apprehensive about George.  More Warners people walked out, along with James Montgomery, the Blues artist.  Jo came out next; she silently walked past us.  As she was getting into the car the plainclothes cop asked her if it was alright to take photos and I heard Jo tell the cop, “It should be about five minutes.”

My eyes were glued to the door; no sooner had she said that when some Warners people came though the foyer door; through the glass I could see right behind them a fellow with a mass of long dark wavy hair wearing a grey and brown plaid cap, his head down as he started through the foyer door.  I was momentarily stunned.

‘Here he comes” I said quietly, now feeling totally at ease.  He came through the foyer door.  “There he is” Blue said excitedly.  He hesitated at the outer door.  George stood behind the glass for a split second, panning the five of us and the car; as he started out, his head came peeking around the glass first.  Everyone greeted him with a “hi” or “hello George” and cheery smiles; he smiled and said “ello” as he hesitated.  He started walking slowly down and across the sidewalk to the car.  I slowly approached him; as I took my first step /I noticed he had a yellow travel bag in one hand and a lit cigarette and his bicentennial sunglasses in the other.  I thought, “Oh, he won’t want to sign, he’s got his hands full.”

My first question was, “George do you got a minute?”  He looked at me and said, “Sure!”  “Would you mind signing?” I said gesturing with the ads and the already uncapped pen.

He stopped and put the bag down; a Warners person scooped it up.  I don’t know where the cigarette and sunglasses disappeared to.  I held the ads from underneath with one hand, and stepped closer to him; his left hand went under the ad to support it too.  He reached over to take the pen from me, grabbed a few of my fingers, and managing to place a blue ink streak across one of my fingers.  As he took the pen from me he noticed Mo had signed the ad.  He pointed to Mo’s signature; “Oh, you had Mo sign!” he said gleefully with a smile on his face, then added with much enthusiasm, respect, and affection, “Mo, he’s so GREAT!”  “Yeah!” I said agreeing as I watched him signing the ad across the belly in the picture.  I was searching my mind for something else to say and was about to say something about WB when Jenn spoke up.  She had realized George wasn’t noticing the FPS t-shirt.  “George…” she began.  He looked up at her; she gestured toward me and said, “Patti’s the one who sent you the shirts.”  He leaned over to see my shirt, then looked down at the ad for a moment.  He began to pick his head up and turn towards me.  I thought, “Oh no.  I can’t look….” Knowing he was going to look me in the eye, but I just had to!  His head came up and he looked me straight in my eyes with his intense dark eyes and said sweetly, “Oh, so you’re the one who sent them!”  “Yeah,” I said quietly.  He glanced down as he finished signing the first ad and looked up at me again, “Did you get the note I sent?” (referring to the postcard he sent me last year).  “Yeah!  Thanks!” I said, but at the same time he also said “thanks.”  He sort of leaned over to look at the shirt again and exclaimed, “I don’t know why nobody else noticed it.”

I asked him to sign the second ad for Jennie; he said, “Sure.”  I could hear all the cameras snapping away.  I noticed his hair was longer than the ad picture which had been photographed just weeks before.  He needed a shave.  Jenn and I both noticed that his hair and eyes are a beautiful matching deep brown.  He was wearing a green jacket styled after an army field jacket; on the left shoulder was a patch for the World Wildlife Fund with a Panda picture on it.  Under the jacket, he was wearing a sweater similar to the one he wore in the Billboard ad (not the same one though, it was of different colors) and a t-shirt.  He was wearing washed-out light blue jeans and his belt bore the familiar Dark Horse belt buckle.

 

As he was signing for Jenn he gestured with the pen and glanced up at me asking, “Where did you get these?” meaning the pictures from the ad.  “From Billboard” I answered.  “Oh, you bought Billboard!”  he said rather cutely as if to really say, “You don’t usually buy Billboard, but I know why you bought Billboard because Mo and I are in it!”  Tina asked him to sign an “All Things Must Pass” music book as he said the thing about Billboard.  He had a huge smile on his face as he finished signing for us.

He took a step to the side and raised his hand as if to wave “Well, I’ll see ya,” he said as he started for the car.  Everyone said goodbye and thanks; as he walked away from me, I said, “Enjoy your trip, George!” He glanced over his shoulder and called “Thanks!”

He walked to the car; it was funny how he climbed in.  He bent forward at the waist, his head going into the car fist; his legs and bum followed as he literally climbed into the car and sat down in the middle of the back seat.

Tempy, Blue, and Tina started to walk toward the square up the block.  “Well, what do you want to do now?”  I noticed the cars weren’t moving because the light was red and the cars were parked from the corner to the door.  I took a few steps up the walk where I could see George in the car, and strained to look through the glare on the window.  “Let’s wave,” I said, waving, gesturing to the others that the car wasn’t moving.  George leaned over and waved back.  The car moved a bit, then stopped.  George was watching, Jenn and I watched him; he began to talk to the person on his right.  You could tell he was talking about us as he would glance back and forth from the person to the window; he was smiling at us, then pointed to us, and turned to talk.  Jim Montgomery moved up in his seat and looked out the window; George leaned over further so that he could see us too.  I leaned over towards Jenn and said, “They’re talking about us…”  Then I started realizing why and laughed, “They’re talking about the shirt!”  I Was wearing a double-breasted coat and the flap on the front had closed over the Friar Park Studios shirt.  Deadpan, I reach over and pull the right side of my coat all the way open.  George began to laugh and pointed excitedly to me, shaking his finger to emphasize the fact that Jim should look now to see the FPS shirt.  Jim appeared in the window again to see what George was so excited about.  Jenn and I were standing n the sidewalk smiling; he was so cute, like a little kid!  He was getting a kick out of us getting a kick out of his reaction.  It felt good to make him laugh.

The car made move to pull away; George waved goodbye.  We waved back.  The car stopped for a second; the light turned green and as the car pulled away, he was smiling and waving goodbye to us once again; we waved goodbye for the last time.  The car pulled into traffic and down to the red light in the next block; the last thing I remembered as the light turned green was seeing his brown and grey cap bobbing the back window as he settled into the seat for the drive to the airport.

 

 

Monday, May 2, 2022

John apparently not in Beantown


 September 17, 1976 -  Boston, MA 

Something in late 1976 at the Dakota 


Why my confusion on this photo:   I found this photo in a 1976 issue of Beatles Unlimited.  Included with two John photos (one posted here) was a story about fans meeting John in 1976 in Boston.  I started typing up the story and then thought, "this sounds really, really familiar.  I wonder if I already have it on the site."  Sure enough -- I did.   The story originally appeared in With a Little Help From My Friends without any photos included.    So I just jumped to the assumption that this photo was from Boston.  Why else would it be in the middle of a story about John in Boston, right?  Well -- I should have looked closer for sure because you all are right --- John is outside of the Dakota.   Ooops!  

Here is the story from Boston if you are interested. 

Tuesday, November 16, 2021

George in Boston

 






November 16, 1976 - Boston

Last year I posted a fan story about Marilyn Blake meeting George Harrison   (click on the words George Harison to go to that story).   Here are the photographs of George that Marilyn took 45 years ago today.  

Monday, November 16, 2020

Meeting George and giving a kiss!

November 16, 1976 - Copley Hotel in Boston

 

Reader meet George and gets to kiss him!

From Goldmine Magazine

Written by Marylin Blake

 George Harrison was the first Beatle I had ever seen in person, and it was a wonderful encounter, George was in town to promote his new album, 33 & 1/3, and my friend and I tried, unsuccessfully, to crash the press conference.     Undaunted by our failure, we decided to wait it out in the lobby, with about 20 others, in hopes of at least catching a glimpse of George as he came out.  We were finally rewarded for our many hours of waiting as the press conference ended and there he was!  He looked absolutely magnificent, wearing a white with a red carnation stuck in his dark blue shirt.

 Everyone started moving over to him, but all I could do was stand and stare – it was such a revelation to see that George Harrison, a Beatle, was indeed a real person!  I finally got my body in gear and made my way over to him.  He was taking his time, laughing a lot as he chatted and signed autographs for everyone.  Suddenly his security people started moving in on us and motioned for George to leave with them.  I was panicking.  To get this close and not have a chance to talk to him before he got whisked away!   But then George wake away his security guys!  He told them that it was a small group and that he was going to stay until he signed something for all of us.

I was so impressed that at that late hour, after a full day and a long press conference, George anted to stay and meet his fans who had so patiently waited for him.   Finally, I drew up enough courage to speak to him – nothing earthshaking, it was all I could do to remain standing and make my lips form coherent words.  I remember telling him how much pleasure his Beatles music had given me and how moved I was by the depth of his solo work.  I thanked him for being there.  I flipped over the cardboard back of my little spiral notebook for him to sign, which he did.

Then – I don’t know what came over me – I shyly asked him if he would mind if I kissed him on the cheek.   I saw his mouth turn up into the most amazing grin as he looked down at me, looked right into me for what seemed an eternity and nodded his head as he said that it would be OK!  I held onto his outstretched arm for balance as I stood on my tiptoes and gently placed my lips on his cheek.   It was only a moment, but that moment has now grown into 25 years.  That was how I not only got to kiss a Beatle, but more important, that was how I was able to let a wonderfully sweet man named George know how much he meant to me.


Wednesday, September 23, 2020

Keeping the Beatles occupied




 


If  I remember this story correctly, sometimes was happening during The Beatles layover in Boston at the start of the 1966 tour.   They were supposed to re-fuel in Boston and then go to Chicago from there.   For some reason, there was a delay and so the powers that be decided to give The Beatles a tour of the airport.  Oh wow.   They sure look thrilled about that.    Of course, Paul is over there making friends with the the employees.