Liver From New York - It's Saturday Night!
By Madeleine Schatz
The Harrison Alliance
October/November/December/January 1976-77
On Wednesday night (November 17, 1976) Patti and Jennie
called to tell me that George would be taping the “Saturday Night” segment on
Thursday the 18th. Thursday
morning after I got to New York I started calling different people and places
who I hoped could give me information about the taping, press party, etc. I wasn’t getting much of anywhere and
eventually went to the Hotel Carlyle, where George was staying. Some people I knew were waiting in their car
and asked if I wanted to wait with them, so I got in the car and we waited
together. While waiting, we got out and
talked to the chauffeur, but he wouldn’t/couldn’t say who he was driving. After a while, it became apparent he was
driving George though.
After waiting a while, we saw some people leaving the hotel
with 33 & 1/3 t-shirts and other promo stuff. Then around 4:30, we saw George coming
out. Olivia was with him, as well as
some other people. We got out of the car
and went over to George. Someone asked
him “do you mind if we take pictures?” and he didn’t mind, so we were taking
pictures and people were asking him stuff.
Someone asked for an autograph, but then seeing he was carrying a lot of
stuff (including a pair of shoes) and had no hands free to sign, she said, “Oh
I guess you could do it another time.”
He was really nice, sort of quiet and shy like he usually is. He was slowly getting into the car and asking
Olivia where she wanted to sit – “we’ll sit in the back” and “we’ll sit in the
front” sort of thing, like in Yellow Submarine.
They eventually sat in the back of the car then left.
Our car was facing the wrong way on the other corner, so we
had to go all the way round the block to go downtown to follow the limo. By the time we got to NBC, they were already
inside. We parked there for a while but
then figured the best bet would be to go back to the hotel as we figured we’d
never get into the taping. There were a
million entrances and an underground garage, and someone inside had told us
we’d never have a chance of getting in, that it was for invited guests
only. Before going back to the hotel, we
went out to eat. A little while after we
got back to the hotel, the limo came back to pick up some more people to go to
the taping. We talked to the chauffer
again, who once again couldn’t tell us anything definite, and then said, “Did
you ever think of following limousines?”
We took that as a hint to follow him when left, so we pulled the car so
that it was facing the same direction as the limo and waited. As the limo left, we followed it all the way
to NBC, really close. We managed to park
our car fairly near the limo. Someone in
the car had to go inside to make a phone call and while she was inside, NBC
people in there were saying there were free standby tickets to see George
Harrison.
There were about 25 people there and we joined them. Everyone was pushing and shoving. We were all worried about keeping our place
on line, as we weren’t guaranteed in, only if there was enough room. Finally, they said there was room for
everyone, and we were let in. This was around
7:00, and the taping was to begin at 8:00.
The rest of the time they’d been setting up/rehearsing.
We were shown seats in the balcony (last row), but the
place was so small it was really good.
Paul Simon was closer to us than George, but George was facing in our
direction, so we could see him really well.
We were told that they’d be taping “Here comes the Sun,” “Homeward
Bound” and “Bye Bye Love” and that our main problem as an audience was going to
be keeping it fresh, applauding each time as though it were the first
time. Of course, that was no trouble for
us since everybody was so freaked out that we’d gotten in. In our section there were mainly
Beatle/George fans so we were kinda wild – we were really into it. The announcer came on and explained what was
going to happen, what songs, etc.
Then George and Paul came onstage and sat on high stools
with their guitars. While they were
getting settled, George as asking if it would be okay to move the mike out just
a bit because the guitar was hitting it.
He said it sort of quietly and slowly and he was trying to move the mike
a bit. Then Paul said could they move
the mike because George’s guitar was hitting it, and someone moved it a little,
then they went on with getting ready to tape.
It reminded me of “Let it Be” the part when George got the shock from
the microphone. It was such a funny
feeling and I said, “Isn’t it a lot like ‘Let it Be?’” She agreed.
When they were ready to start, Paul had to introduce George
– “My friend, George Harrison.” There
was an applause sign which came on at the appropriate time but we didn’t even
have to look at it, we just applauded naturally. (In the end, they weren’t even using it,
because we applauded twice as much as they need us to!) Some people in our section were clapping to
the music but were told not to do that; it was so difficult no to because it
was such a natural reaction to the music.
George and Paul went through the three songs with no mistakes, but then
were going to do it again and after that, they never got through it without a
mistake. They’d do the first song and
then would make a mistake in the 2nd one and have to start over
again. They went through mainly the first
two songs – I think they only did “Bye Bye Love” twice. There were cue cards for George during
“Homeward Bound” and when it came to the line about “the movies and the
factories,” one time he forgot to sing “movies” and made this funny “woops”
noise and then said, “You’ll have to put a red line under ‘movies.’” (Later we sat in a different place and we
could see that there was a red line under ‘movies.’)
The best part was the mistakes and the in-between
parts. In between, they had to adjust the cameras. They asked for requests from
the audience and people were calling out all different George songs. He did a bit of “Dark Horse” and a bit of
“She Said She Said,” and even a bit of “Yesterday!”
He did “Rock Island Line” as well – all the way through, with everyone
clapping along and having a great time.
Then it was time to start again, and they kept going through the same
songs over and over; one of them giggled or played a wrong note or something,
and they would have to start over again with Paul saying, “My friend, George
Harrison.” Each time they made a mistake
they had to start to form the very beginning.
It got really funny. We had to
applaud each time; the producers of the show were worried about everyone
keeping the applause lively but after a while, it got so funny that we were
applauding more than we had been at the beginning.
They said they’d go through the two songs and after that,
Paul would do the introduction to the films George had brought. They went through that over and over. By this time George looked like, “Oh, we have
to do this song again…” A guy came to
powder their faces a couple times.
Eventually, they got everything right but ended up having to do one more
“just in case something happens, so we’ll have another one.” When it was over, Paul and George went to a
backstage area. We weren’t supposed to
go that way but quite a few of us did, and we were just standing there. George walked back and forth a couple times,
then went into a room and closed the door.
We were kind of just waiting around, but eventually, some ushers came and
very rudely escorted us out via another route.
We went outside and waited. We waited in the car for a
while, then went inside and waited in the lobby for a while, went back out – we
weren’t sure which exit George would be using, the 49th street or
the 50th street one. When
there was no one else around, the doorman told us it would be the 49th
street and we cut through the building to that exit. We waited and waited and finally, George came
out, surrounded by NBC people saying things like “clear the way,” “move over,
he’s tired,” “let him through.” People were trying to ask him questions, tell
him they liked the show, take pictures, as he was going out to the car. Someone shouted “long live the Rutles” but I
don’t know if he heard it or not. He was
sitting in the car watching everyone for a while, then as the car pulled away
he waved to everyone out the back window.
By this time, it was quite late (about 11:30) and we had to
work the next day, and also figured we couldn’t make it back to the Carlyle before
the limo, so we got ready to head for home.
George always liked staying at the Carlyle as well as actor Michael York and Ed Sullivan
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