George Harrison in Brazil ‘79
Beatles Unlimited
March/April 1979
George was the first
of the Beatles to come to Brazil. The
reason for his trip was the Formula One Race that took place at Interlagos, Sao
Paulo.
The Arrival: Since
early in the morning of January 31, 1979, the Rio’s International Airport
Galeao was taken by hundreds of people of all ages, who waited impatiently for
the ex-Beatle George Harrison (rumored to arrive at 7:45a.m.), but the Concorde
didn’t land in Rio until 4pm. George,
who arrived through the main gates of the airport, accompanied by his pal
Jackie Stewart, got frightened by what he saw.
At first, he did not understand what it was all about. The screaming girls crying his name and the
constant blinding lights of the flashbulbs in his direction were enough for
him to try and “escape.” The police had
to interfere in order to calm the place down so that George would be able to
get into a waiting car. “Never thought I
was famous here,” declared George later to the press. He stayed in Rio one day at an unknown place
(said to be the house of the millionaire Jorge Guinle). The next morning George set out for Sao Paulo
where he stayed at the Hilton Hotel.
Soon people found this out and surrounded the entrance of the hotel
equipped with their cameras in hope to catch a glimpse of George.
The Visit: George’s
intention was to remain unnoticed, going along with the arrangements at the
Boxes of the cars in peace, but instead, he spent most part of the time running
away from the fans (which he is very good at) and the photographers, who could
not let him alone. He said, “You should
photograph the cars. They are more
important than I am.” However, George
did give his autograph to many who asked him.
Back in Rio, Harrison gave two collective interviews. One to Globe Television and one to the Manchete
magazine. He also talked to many D.J’s
including pressmen from Bandeirantes Radio Station and Cidade. Always very polite, he answered all the questions
and posed for photos. He talked about
many things: Beatles, religion, sports,
his previous records, music in general (he said he hated Punk), his involvement
with Formula One, and the song “Faster” that he wrote, dedicated to Ronnie
Petterson. He said he liked Brazil very
much and intends to come back in 1980.
The following answers George gave at several press
conferences during his stay in Brazil.
The interviews were transcribed by Erik M. Bakker and edited by Evert
Vermeer.
Q: The 60s, do they
still mean anything?
G: Well they are past
aren’t they? What is left is in the
history books and from what we’ve learned and if we learned anything from it,
it means something. If we haven’t, it is
best to forget them. There were quite
happy times and turbulent times, a lot of wars, a lot of change.
Q: Is anything left
of these changes?
G: Yes. I think so.
For a start, it made some young people, and older people as well, more
conscious of the fact that you don’t have to be particularly limited in your
ideas. It opened up ideas like
everybody is asking me about Indian music or Indian philosophy. 15 years ago at the beginning of the 60s,
people would think you were a freak if you did yoga exercises. But now a huge percentage of the world does
yoga exercises. I think the 60s did help
to broaden understanding. You know, when
someone liked long hair or didn’t wear a tie, people used to think they were
broken. One thing was a
disappointment. At the end of the 60s,
beginning of the 70s, the idea of “All you need is love,”; which was a good
idea disappeared and it all got back into disco music and music for
idiots. People started fighting again
and all that. So I hope maybe the 80s
may bring back “start planting flowers” again and having a bit more love
really.
Q: Do you think there
ever will be any group which will substitute the Beatles?
G: Well, there may be
groups that can sell as many records.
But the Beatles were unique because of the four personalities. “The Beatles” was bigger than the four people
separately. There is always someone like
Sinatra and Elvis and the Beatles, and maybe somewhere down the line there will
be something bigger, but not now. Not
like the Bee Gees, they make good records but they don’t’ have whatever it was
the Beatles had.
Q: Are there any
unreleased tracks by the Beatles?
G: “Not Guilty” is on
the new album, actually. I wrote that
song for the White Album in 1967 and I forgot all about it. I remembered it last year and we re-recorded
it and it’s really nice, it is good, sort of jazzy.
Q: Which one of your
songs do you like best?
G: I don’t know, whichever you like best, is the best for me.
“Something” was good for me because it had about 150 cover
versions. It is nice if other people
make recordings of your songs. But there
are some other songs that are better.
There is a song on the last album I
think was as good as “Something,”
“Learning How to Love You.” And
there is a song on the new album, “Your Love is Forever,” which is as good as
“Something.” But it might not be as
popular because it was The Beatles who made “Something.”
Q: We heard your
latest record is dedicated to races?
G: Only one song out
of the ten songs. One song is about my
wife, one song is about the moon. But
all songs are about different things, and well, there is one song about races,
because when I went to the races all the time, everybody kept asking me “are
you going to write a song about it?” and
so, in the end, I thought I’d better write a song. It took me 6 months thinking how do I start
because I just didn’t want to write about engines and wheels and noises. So I had to think of a way of approaching
which had some meaning. It’s called
“Faster” and I think the words are good because it is abstract, it is not
about one person. It could be about
anybody and not just about cars and engines.
It is about the circus around it you know, and the feelings people have
and the jealousy, all that sort of things.
The song really was inspired by Jackie Stewart and Nikki Lauda, and I
got the title from a book Jackie had written back in 1973.
Q: What is your
opinion of Brazilian music?
G: You know, I like
the more wild music. I don’t mean noise or discotheque. More original
music. If Warner Brothers have any good
Brazilian music in their catalogue, I’ll take them home with me and study
them. You know, in Europe, for 150 or
100 years it was very popular to do the rumba, samba and that sort of thing, so
in broad contents, everybody is aware of Brazilian music, conga drumming, that
type of thing. But I must say I’m very
ignorant when it comes down to more specific things.
Q: Do you think disco
music as a relation to Brazilian music?
G: No, no. Disc music is a result of people who are very
determined of making a lot of money.
It’s like a recipe. When you want
to cook something, you just follow the instructions. If you want to make a disco hit, just follow
the instructions, you have the bass drum, the cymbal, the violin going and
that’s called disco. Rubbish!
Q: What about Punk
music?
G: Rubbish, total
rubbish. Listen to the early Beatles
records. They were simple too, but it
still had much more depth and meaning.
It was innocent or trivial, but it still had more meaning than Punk
music which is destructive, aggressive.
Q: Did you have any
more problems with “My Sweet Lord” lately?
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