Let's take a trip back to 1966 and grab an issue of 16 Magazine. It was there that you would find interesting feature stories by Pattie Boyd or Neil Aspinall. This one from Neil about John Lennon and How I won the War is really good. I think it gives information that you can't find anywhere else. I really wish Neil had written a book. But at least we have articles like this one!
The Beatles and Me
By Neil Aspinall
16 Magazine 1966
On the evening of October 8, 1966, John Lennon celebrated
his 26th birthday in an apartment in Almeria, Spain. Officially, he was 26 on Sunday, October 9th,
but the party took place the night before because John was about to move to a
new location. At the time, we had been
in Spain just over three weeks for location work on the Richard Lester movie,
How I won the War, in which John plays the part of Corporal Gripweed – a
faithful, slovenly and slightly cowardly servant/batman on Lieutenant Goodbody
(Michael Crawford) of the British Army.
The entire production unit for the movie got an open
invitation to the birthday shindig and believe me, it was quite a wild
night! Almeria is a pretty remote spot –
minus most forms of conventional night life, so that party was one of the few
really successful social occasions of the month.
John and Cyn had become very friendly with Michael Crawford
and his wife, who were renting an apartment nearby. Already the Crawfords were finding themselves
a bit cramped, because they had their lovely little six-month-old baby with
them and a nanny. And Ringo arrived with
Maureen for a holiday three days before the birthday party!
“You know what we ought to do?” John suggested one evening , just after we’d
heard that Ringo and Maureen were coming to Spain. “We should all get together and rent one of
those fantastic old villas outside the town.”
The Crawfords loved the idea and the move was organized
without delay. The apartments were very
attractive and comfortable – with a wonderful view looking out over the
sea. But everyone wanted more space to
move around in and larger “get-togethers” rooms for entertaining. So, on the Sunday of John’s birthday, we
moved into the Villa Corjo-Romera, a magnificent rambling old Spanish villa
standing on a hill outside the town.
“It’ll take days just to explore this place,” John declared,
as we walked from room to room on the initial four of the villa. We admired all the heavy woodwork, the
superbly decorated ceilings and the majestic main hall.
“That’s it,” replied John.
“A party! It’s my birthday. We should have one.”
“We did that last night,” I put in weakly.
“Well, we’ll do it again tonight,” John said. “It can be called a villa warming, if you
like.”
“Hey—you’ve got a game room,” Ringo said. “Let’s have a go at table tennis later.”
That night’s “villa warming” party coincided with one of the
worst storms Almeria had ever experienced in living memory. Normally, the locals expect no more than
about five days of rain each year. This
storm took everybody by surprise. The
rain was torrential and it was accompanied by a fierce wind. The party was just getting underway, when all
the lights went out, so we rushed around trying to find where the fuses were
located. We needn’t have
bothered. The electricity supply cables
for the entire area had been damaged by the storm. And the telephone lines were down too. Finally, we found enough candles to light the
place. And in the end, the candlelight
added a definitely romantic atmosphere to the party, and the power cut turned
out to be a novel advantage rather than a disaster.
It goes without saying that there was no film work done on
Monday. The location set had been washed
away by the rain. (After all, this was a
desert sequence – and floods just don’t happen in the desert!) The water supply for the villa came from a
well, but the pump was worked by electricity.
It wasn’t until late Tuesday afternoon that the electric power was
restored. So we spent Monday devising
ways of eating and existing comfortably without the use of water or
electricity.
The restoration of the power coincided with the arrival of
our cook. So at about three o’clock Tuesday
afternoon we all settled down to a late breakfast of sausages and eggs.
“This, I am really looking forward to,” said John and the
girls put on a look of mock annoyance.
“Not that I’m saying a word against your cooking, but even you two can’t
work wonders without water.”
John and I had left
for Germany to being work on How I won the War less than a week after the
Beatles’ American tour. By now it must be a matter of well-known
historical fact that John’s ceremonial hair-cutting took place at the unearthly
hour of 7:30am on the morning of Tuesday, September 6, 1966! The “operation” was supervised by the film’s
producer/director, Richard Lester, and carried out by 28-year-old German
hairdresser, Klaus Baruch, of Hamburg.
He came to our small vacation type hotel in the forest of Luneburg Heath
to perform his grave task. John’s
familiar fringe was swept back and greased down a bit to transform him into
Corporal Gripweed. The addition of a
grubby old army greatcoat plus a pair of very pain specs completed the change
from Beatle to “batman.”
Don’t believe any claims people might make about possessing
some of John’s clipped-off hair. I
watched the famous locks of hair burning away to nothing while we were at
Luneburg!
No true Neil---this lock of John's hair sold at Heritage Auctions in 2016 |
We got one completely free day in Germany and John took the
opportunity of re-visiting some of his favorite haunts in Hamburg. We couldn’t make the rounds of the Hamburg
club scene because we had to be up so early the following morning. Instead, John went on a shopping spree and
picked up an assortment of shirts, shoes, jeans and other accessories from
stores he knew well from the Beatles’ days in Hamburg five and six years
ago. It was a fascinating day for John
since so many of the places familiar to him had greatly changed since 1960.
We finished filming in Germany on Wednesday September 14th. By coincidence, that was the day that a “Mr.
and Mrs. Sam Wells” flew from London, Airport on a BOAC plane bound for
Bombay. At Bombay’s Taj Mahal Hotel, it
wasn’t long before Mr. and Mrs. Wells alias George Harrison, let himself be
pressured into admitting his true identity and explain to the local press his
motives for that extended Indian vacation trip:
to study the sitar and everything to do with Asian music.
Meanwhile, back at How I won the War, John and I left
Hamburg by the night train to Paris in the small hours of Friday September 16th. And at the same time (or a few hours later),
Brian Epstein left London for Paris—accompanied by Paul McCartney. We all met in Paris—just for the weekend,
because filming in Spain was due to start early the following week. The flight from Paris to Spain was fast and
the longest and most tedious part of our journey was yet to come. From the airport at Malaga, we faced a
five-hour car dive to Almeria, which is, as I said earlier, a bit of a remote
spot. We drove along what the Spanish
fondly imagine are highways but are, in fact, more like dirt tracks with
superficial tarmac coating. For most of
the way, the “road “runs alongside the sea – I mean ALONGSIDE, because I
reckoned we would plunge straight down into the waves at any second.
The living in Spain was a bit rough, but nobody minded. By now, most of the cast had become firm
friends. Although John and I had made a particular
mate of Michael Crawford, we were equally close with all the other actors. Like Ronald Lacy, who is Spool in the
picture; Lee Montague, who is Transom (Corporal of Musket and Troop Sergeant);
Roy Kinnear, who is Clapper; and Michael Hardern, who plays Lt. Col.
Grapple. Each morning we would be up by
7:30 to leave no later than 8am. John
had his own driver and Rolls with him.
The Almeria inhabitants were thoroughly impressed with this vehicle, and
John caused a great stir each day as we drove out of the town. The local people described the Rolls as the
“Royal Hearse.”
Once we left the town each morning, that was it for the
whole day. At the actual film location,
we spent most of our spare time watching what was happening or sitting around
on the floor of an old bus (no seats) which was used as the company wardrobe
and the cast’s dressing room. Between 8:30am and 9, John went through the
make-up process of becoming Corporal Gripweed, and the next four hours were
spent in front of the cameras. The lunch
break was from twelve to one. We were
well looked after, despite the lack of facilities on the location. We all sat around in a big and very hot tent
eating excellent lunches, with things like melon, filet steak and fruit.
Most of our evenings were spent quietly. Sometimes, John would go through his lines
for the following day, with me correcting him and filling in all the other
parts. Just for laughs, we would rewrite
whole scenes for ourselves, which got a bit confusing. So sooner or later, we’d call each other to
order and get back to the script-learning bit.
I’m not sure exactly where Corporal Gripweed was born and raised, but
John has given him a definitely Liverpool origin.
When Ringo and Maurren joined us at Almeria on Wednesday,
October 5th, only one of the boys remained in England. That was Paul, who was still in the process
of putting the final interior finishing touches to his new house at St. John’s
Wood in North London. In any case, he wasn’t ready to take an overseas vcacation
at that stage because he had started work on the soundtrack musical score for
the Hayley Mills’ film, “All in good time.”
So, by the final week of October, the all round situation on
the Beatle front was this: George with
yoga experience, sitar lessons and mustache, was located in a picturesque house
beside a loe not too far from Bombay, India; Paul was in London, watching
different bits of the Boulting Brothers’ film and writing the background music
for each scene; and Ringo was taking it easy in Spain and watching John work on
the final segments of How I won the War.
Now there was an interesting dispersal of talents and occupations, if
ever there was one!
Oh my GOSH, Sara! Thank you for typing this all out!!! And that first photograph! That marries perfectly to the "Strawberry Fields Forever" demos, I'm encoding my mp3s with it as soon as my comment is done! Whoah!
ReplyDeleteIt also helps date the photos of Ringo visiting the set.
Oh man, I almost get nauseous thinking about losing Neil, and what that means to Beatle history, and the next volumes of Mr. Lewisohn's books. I hate to be selfish about it.
Thanks, Sara!!
love the friendship that John & Cyn had with Ringo & Mo
ReplyDeletesara how do you know John's hair sold at Heritage Auctions in 2016 was real?
ReplyDeleteI guess I don't. The story behind it sounded true--it came from the guy that cut his hair. However, it could be fake. I am not going to spend any amount of money on Beatle hair.
DeleteLiving is Easy with Eyes Closed is a fun little movie that revolves around John being in Almeria filming.
ReplyDeleteDear Sara, thanks a lot for the above article. I am serious Spanish Beatles researcher and I would like to know which issue of 16 Magazine includes it. Best regards.
ReplyDeleteThis is from the Feb 1967 issue of 16 Magazine. Neil did a whole series of 'The Beatles & Me' articles in 1966-1967.
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