Showing posts with label Silvia Purbs. Show all posts
Showing posts with label Silvia Purbs. Show all posts

Sunday, October 12, 2025

Paul McCartney and Wings in Berlin 1972

 


Paul McCartney and Wings

By Margit Oettinghaus

McCartney Lovers and Friends

March 1973


     Hello, everyone!  I finally got myself together to try and point out some of the most fantastic moments of my life. That means meeting Paul!

     I had finally made it. I was in Berlin after a 30-minute flight, and couldn't wait to find the hotel Paul was staying in. My friend Silvia, who lives in Berlin, was concerned as well as to where to find him! Finally, there we stood, sure that he was inside, unsure of what to do to get a glimpse of him, and nervous as hell! Then this super idea hit us. 

    We thought that he might be having lunch or something inside. So both of us went in and asked if we could have dinner up in the restaurant. We acted all snobbish and kind of rich, and having had such a great teacher for pulling those bored-to-death faces, we seemed to succeed quite well. The porter told us that the restaurant was still closed and suggested we go to the bar instead, but we went out again because money wasn't one of our stronger sides. 

    There, we noticed two boys sitting at the entrance of the hotel. Apparently, they were waiting for someone. Well, I swung open the door (the store swung both ways), and that's indeed what it did. And according to the boys, we went out on the right side and on the left side, the whole McCartney family came in. Trust us! Whenever will I learn to really see the things I'm looking for? They had taken the kids to the zoo and asked the boys not to follow them. (Congratulations, monkeys! At least Paul is allowed to give you a nice long look from those eyes!) We had missed him. So what!  Didn't we all learn to wait at London's Abbey Road? 

    After some hours, they all came out and headed for the white Mercedes standing outside the hotel. With all, I mean, the McCartneys and the rest of the group. Paul had some clothes packed over his arm. They filled two cars. Paul did us a great favor and posed for some pictures. His charms were still the same as in 1968, if not more charming than ever. Linda was showing us the peace sign. Our photos later assured us that she did indeed give us a peace sign, and it wasn't the other way around (you know the FU sign that she usually charms us with). We were surprised.

     God, I felt so sick standing there right in front of Paul. I didn't know what to do. Anyway, as I woke up again, the Mercedes had gone in the direction of the Deutschlandhall where the concert took place. Is is hard to guess where we went? Yes to the Deutschlandhall!

     Silvia and I had three cards instead of two to make sure we had a seat where we could put our cameras and other things. My poor nerves were playing hell, and I moved up and down on my chair. And of course, I had forgotten that it was one of those chairs that go up and down when you don't sit on them. So I stood up and then sat down again. That was it. As the seat was up, I fell right down on the floor and bumped my head against the chair legs. Everyone hearing that noise stared at me. They didn't seem to understand the state I was in, which was making me do stupid things like that.

     The concert began half an hour later than planned. The audience began to get more and more impatient, all that time, the top 20 stuff was being played through the loudspeakers. I felt so hot and sticky that I thought I couldn't take it anymore. When I looked around, I saw Paul's secretary walking in with Heather and Mary, who were both dressed like poor gypsy kids. They jumped behind the stage and came back shortly, and Heather's face was full of glitter. They disappeared somewhere among the audience, which was not too numerous. 

    Then after a few minutes of nerves, hot cheeks, and excitement, the curtains went up. I was shocked! There was Paul just in front of us, singing away with a mask on his face --a mask of an old man! (see photo)  I didn't know if I should laugh or cry. Was this what I had waited for? "Please take that thing off!" I began to pray. I was really desperate, but then he grabbed it and threw it away. 

     Don't any of you ask what I felt then, because I don't know --that's the truth! I was going daft or something. My God, that face!  But do I have to tell you the details? It was all too much!

    He wore pink trousers and a white jacket with glittery embroidery, and under it, nothing but skin. The group sang quite a few songs, or better, he did, and then one song came from Linda. It's called "Seaside Woman", which caused some applause, though I didn't think much of it, but that's another story altogether. 

    Paul tried to get the audience going. He wasn't very satisfied with all the people standing there like lumps of ice, and in lovely German with a fantastic English accent, he asked us all to start clapping hands. There were some voices shouting out for "Yesterday", "Michelle", etc, but he completely ignored that. When someone asked for "Backseat of my car", he said, "Thank you very much!"

     After the break, he came out dressed all in black with tight-fitting trousers --a smashing sight, as you well might imagine. The concert was finished before I got used to the thought that he was standing just in front of me. During the concert, Linda kept staring at us, and then she said something to Paul and pointed at us. She couldn't have forgotten that we had the nerve to wait for him at Cavendish this past summer. Of course, he then looked as well, which wasn't the worst thing in my life, but a bit more than I could stand. 

    In the end, they gave two encores, "Hi, Hi, Hi". They did a good job. (If I could have understood the words at that time, I would have died) and" Long, Tall Sally." There he stood, singing, screaming, and bouncing away like in the old days. Even though he does not like to be called a Beatle, I'm sure he felt like it, as I've never seen him look happier during the concert than in those final minutes when everyone in the audience was getting with it.

     Hundreds of balloons and tons of confetti came down on the group and all of us standing so near the stage.  It's amazing how he still has the whole audience under control. Only one scene reminded me of long-ago Beatlemania. It was when a girl threw her camera onto the stage, and there it smashed into hundreds of pieces just in front of Paul's feet. He saw it and just kicked the pieces away with a raised eyebrow and a short grin.

     We walked out of the hall in a complete daze, but managed to catch a taxi back to the hotel, and we arrived just before he did. He came out of his car with a glass of Coke in his hand, and I nearly knocked it over. He smiled with such a great grin-it was killing me! Some boys asked for an autograph, and Linda watched eagerly to make sure that no one got more than one. I asked for his signature on my Wings poster. Any of you who stood in front of him, watching him write, know what I mean when I tell you about the feeling as if lots and lots of butterflies were swarming in your stomach? Incredible!

     Linda was staring at us, yes again, and pointed at me and said, "I've seen you in the audience". And this was said in a halfway normal voice too. This was a big change for us. For usually she was shouting. The only thing I could say was, "Oh, really?" She forced a slight smile and continued, "We are friends, aren't we?" Believe me. That was when I almost flipped over. I replied, "Certainly." And then asked her for her autograph as well. She was obviously very pleased about that, and she signed it. "Love Linda."

     "Paul, when are you going home tomorrow?" I managed to ask. "We're going back home tomorrow morning, back to England." And then he said in German, "Good night everyone. Sleep well."  But he didn't go in the morning. He went in the afternoon. They had stayed in bed until midday.

     As they were leaving, Linda thought that it would be wise to bring out some of her German as well, and shouted, "Arrivederci!" (which is Italian). I called Mary, who was walking inside the hotel on Heather's hand, and there she turned around and waved. She's so cute with her huge eyes and brown hair. Paul smiled when he saw that. And then they all disappeared.

     For Sylvia and I, one of our greatest days of 1972 had ended. I wouldn't mind living through it again and again. 

Tuesday, June 6, 2017

Paul interview from late 1977

I spotted this interview in the February 1978 issue of "The Write Thing."     It was an interview Paul McCartney did on Capitol Radio in London by Roger Scott on November 12, 1977.   Anthony Luscombe transcribed it for the fanzine.

I am also including the photos that were on the page with the interview, as they were from November 1977 at Abbey Road Studios.     The color one came from a slide. 


Photo by Silvia Purbs


Scott:  The single does say on it "From the album..." is it going to be on an album?

Paul:  No, it's just independent actually.

Denny:   the whole thing has been to try and make a few singles as well as albums.  All we've ever done is make albums and put out singles from them, which is a bit boring.  We'd rather have something separate.

Paul:  This one didn't really fit with the album.  We'd got enough stuff; enough new tracks -- we'd got more than we need, kind of thing.  We just thought it seemed very singley.  When we'd done it all the pipers said, "Ah, yes, got to be a single, that one."  It was up to them, so we had to do it.

Scott:  Wings is now you and Linda and Denny.  Where are you going to go from there?  I imagine that the next time you go out on tour you're not going to try and do it like you did it before.

Paul:  Maybe, but we'll wait and see.  All we've got planned at the moment is to finish this album, and then we haven't bothering thinking about it beyond then.

Scott:  It was so superb, that last tour-- the concerts, everything, was just perfect.

Paul:  Thanks, Rog.  I like him.  I like his show.  He plays good music.  One of the best.

Scott:  Even though it was perfect, I imagine you wouldn't want to go out and do it again, what would be the point?

Paul:  Oh, we wouldn't do the same.  We're interested now in doing more the small clubs.  Plastic bags on our heads -- that sort of thing.

Scott:  What about the repackaging ripoffs?

Paul:  Oh what?

Scott:  All the old stuff.

Paul:  What--Beatles stuff??

Scott:  Yes.

Paul:  If I was still in the Beatles I'd be worried by all of that.  I'd care how they repackaged it and how they did it all, but I'm not in them and the record company has all the tapes and they're allowed to do it.   I'm more into the new stuff   I can't be bothered.  To tell you the truth I haven't even heard "Hollywood Bowl."   Terrible admission.  Geoff keeps telling me to hear it.   He did it.   He says it's good.

Scott:  Did you hear the Hamburg Tapes?

Paul:  No.  I've got a lot of those tapes anyway in my private collection.  Not the repackagings.  I've got the original demos.  I've heard them -- I mean I must have heard them -- I was on it.   I don't knock the old Beatles stuff.  I love to hear it on the radio.

I think the Beatles, actually, we were always aware of having all this unreleased stuff, and I suppose we always thought if anything happened to us, like Buddy Holly, someone would bring out all the old tapes, rehashing them, putting strings on them, so we were always careful never to have anything unreleased.  By the time we finished I think we'd put out everything we'd recorded -- very nearly.

Scott:  How about the "Sgt. Pepper" film?

Paul:  I've just heard that George Burns sings "Fixing a Hole."  Sounds interesting.  Geoff Emerick is working on it.  He's broken off form it to come and do this album for us and he likes it -- says it's going to be great.

Scott:  You're really into collecting catalogues aren't you?

Paul:  Well, when you earn money you've either got to give it to the government or spend it on something.  It's Catch 22.  I don't want to buy a lot of big buildings, so it was the normal thing to do.  Norman Petty just happened to be selling the Buddy Holly stuff.  EMI was interested, Allen Klein was interested and secretly, I think that is what got me interested.  I wanted to have them, not to be greedy, but to look after those songs and do something for them.


Photo by Silvia Purbs 

Scott:  Have you got the Decca stuff?  "Sheik of Araby" "September in the Rain?"

Paul:  Yes, actually I like that stuff.   It really shows that we were a little rock group to start off and we went towards ballads and more complicated psychedelia but all these tracks were just rock.

Scott:  Were you more of a Holly fan than a Presley ran?

Paul:  No, equal, no all of them really the thing about Holly was that if you were a new young songwriter it was easy to pick up on his stuff because there were never many chords.  Elvis something had very many chords, not his early stuff, but when he started doing "Love me Tender."  Buddy's stuff was all in A, D and E or maybe E, A, and B, and we knew these chords, so the first 50 tunes we wrote were all like that.

Scott:  There's a Wings movie that you're fiddling around with at the moment.

Paul:  Yes, we shot some things on tour when we did the "Wings over America" tour and some of its very nice, but the sound isn't that good.   We're working a lot on the soundtrack trying to get it sounding better.

Scott:  This will be for TV?

Paul:  Yes, I think it'll be a special for TV.

Scott:  But a long version, I heard, for the fans?

Paul:  Well, I don't know.  What we thought was first of all put together a kind of documentary-cum-concert for TV and then if the concert stuff really looks good then we'll put all that together for just a concert film.

Scott:  What kind of new music are you listening to at the moment?

Paul:  Not much, actually, we're working on our own stuff and by the time I get home I don't want to listen to much.  I just switch on the telly and switch off my mind.  I haven't bought any new albums for a while, actually.   My daughter's into punk, so I hear a bit of that.

Scott:  Does it make any impression?

Paul:  It's alright.  I quite like it.  I like what they're doing -- the attitude, and I like the look, but for me it's just another style.  It's not my style.



Wednesday, January 15, 2014

Bravo for the crazy pants!

I know in my last post I was complaining about tumblr, but it also has a world of amazing Beatles information.   One of the best of the best is "that eventuality" blog.   This blog is very George-centered and has a lot of photos and stories and documents.     This is a story that came from Bravo magazine.   Andrea, who runs "that eventuality"  has translated it from German to English.   Much thanks to her!




A fan story and the accompanying photos, sent to the German magazine Bravo by Silvia Purbs of Berlin, and published in issue no. 5 1968.
Translated, it reads:
“George’s new motto: Live colorfully, friends!

I was so lucky! First I visited George Harrison with my English pen pal – and then I met Paul McCartney, too!

My visit with George was a total success. I hadn't expected him to be so friendly. He talked for a very long time to my friend and myself, partially in German as well. After we had taken several photos of him and his colorful house, we said goodbye and left with happy smiles on our faces.
Later, on the way to London’s Regents Park, I noticed a house that was being ‘besieged’ by several girls. An elderly woman was testily telling them to be patient and not ring the doorbell constantly, Paul McCartney would be home in a moment. Shortly thereafter, a taxi arrived with Paul! He rang the bell – and had to wait quite some time before the elderly woman opened the door for him. She was very dismayed when she saw that she had kept Paul waiting, and not the unwelcome guests…”

Silvia Purbs, Berlin
Royalty: 100 D-Mark

The captions:
George by his front door
George Harrison’s colorful house: this is where my friend and I visited the colorful Beatle
Copyright: BRAVO Archiv